Several of my friends have very fond memories of growing up in this neighborhood off Goldsborough with its long blocks, wide streets with parking on both sides of the streets and rear alleys. This house on a corner lot has been well maintained and it is now being offered for the first time in forty years. Its Dutch Colonial architectural style with its signature gambrel roof maximizes the sizes of the second floor rooms. The symmetry of the front door and windows, exterior color palette of the charcoal gray architectural roofing shingles, light yellow lap siding and white shutters in a mature landscape creates great curb appeal.

The massive deciduous trees provide shade in the heat of summer but now their bare branches frame the distinctive shape of the side elevation’s gambrel roof. A later addition with a low sloped roof and a wide bow window expanded the living space. The high wood fence surrounds the rear yard for total privacy.  

This view of the house shows the distinctive shape and shallow depth of the roof dormers in the steep pitch of the lower portion of the gambrel roof. The low slope roofed addition of a family room and the pitched roof addition of a sunroom overlook the pool area. From the sunroom, sliding doors open onto a  wrap-around deck. 

The large deck has a picnic table and grille awaiting al-fresco dinners by the pool. Two one-car garages at each corner of the property are accessed from the alley.

Between the two garages is a small shed for lawn and garden maintenance. The large pool will soon provide hours of fun in the sun!

The front door opens into the living room with its serene palette of neutrals accented by the Oriental rug, footstool, pillows and the red splash of the throw over the sofa. The pale color of the window treatments and the valances placed directly below the ceiling blend into the wall so the room feels larger than it is. Tall windows provide ample sunlight. 

The rooms flow easily from one to another since they are connected by doors instead of a hall. This room next to the living room was originally the dining room with the stairs at the rear wall leading to the second floor. Sunlight from the front window is projected deep into the room.

Another door leads to the kitchen at the other corner of the house and the layout is divided into two work areas. This area contains the sink, cooktop and island with a butcher block countertop. The row of cabinetry behind the island contains the R/F that creates a compact work triangle. The white cabinetry with upper cabinets rising to the ceiling blend into the white walls and maintain the spatial volume.

The vista from the former dining room’s door is to the charming breakfast table and pair of Windsor chairs that separates the two areas of the kitchen. The wall behind the table contains the wall ovens. Recessing open shelving into the wall was a clever way to provide extra storage.

The second length of cabinetry also contains a second sink for extra prep space or space for crafts. The easy care vinyl flooring is also easy on the feet!

Between the kitchen and the rear sunroom is a full bath opposite the short hall to the family room. Plantation shutters provide both sunlight and privacy. The white background and the green chamfered corners of the floor pattern are reversed in the green background and white diagonal strips of the wallpaper

The long family room is accessed from both the living room and the hall from the kitchen to the sunroom. The sunlight from the wide bow window and rear window TV area balances the cozy feel of the seating around the fireplace.

Since the sunroom is a one-story space, opening up the ceiling to the underside of the roof’s framing gives it architectural character and the pairs of wide sliding doors around the perimeter give the space total transparency for easy indoor/outdoor flow. The white wicker furnishings with colorful cushions create areas for seating and dining. The track lighting can be adjusted for ambient lighting as needed.

The stairs to the second floor rise against the rear wall to a hall connecting the two corner bedrooms and the third bedroom in between. The front wall high knee wall at the spring line for the  gambrel roof adds charming interior architectural character and a comfortable sense of enclosure. I  admired the color palette of this lovely bedroom with the gold bedspread and plaid bed skirt and the design of roses on the pillows and window treatments. Three windows provide ample sunlight and the wood furnishings of the pencil post bed and other pieces add warmth.

The width of both the stairs and the hall creates space for the bathroom at the end of the hall. The white fixtures stand out against the butter yellow walls and the foot of the tub is set against the high knee wall so the shower head is against the high wall. 

The other corner bedroom mirrors the other corner bedroom’s interior architecture of the high knee walls, dormer window in the front gambrel roof and a side window for ample daylight. Blue and gold are complementary colors and here the color scheme creates a serene space for any guest.

Great in-town corner lot location close to the Rails to Trails and the amenities of Easton’s Historic District. Lovingly maintained by its Owner for forty years, it awaits another Owner’s individuality. Charming Dutch Colonial architecture, main floor with a living room, family room and sunroom for relaxing with family and friends. Both the living room and the family room have fireplaces and the sunroom is aptly named for its exterior walls are infilled with wide sliding doors for easy flow to the deck and in-ground pool and hot tub area. The two separate garages off the alley are a unique plus as well as the large pool and deck with outdoor lighting. For the gardener, there is small shed  to maintain the lovely gardens. Great family home!

For more information about this property, contact Mary Haddaway with Benson and Mangold at 410-745-0415 (o), 410-924-8574 (c), or 

[email protected]. For more photographs and pricing visit  www.bensonandmangold.com,  “Equal Housing Opportunity”.

Photography by Greta Clopper

 

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

When I began my search for this week’s feature, I looked no further than this Craftsman Bungalow, since I am besotted with bungalows in general and this one in particular! I coveted it when it was on the market before and I enjoyed my tour to reacquaint me with its many charms. This bungalow has the classic design elements of its style: one-and-a-half stories, compact building footprint, gabled roof with overhanging eaves, shed dormers at the front and back, large windows, connecting rooms instead of hallways and natural materials.

The textures of the red brick chimney, the smooth creamy yellow bands that separates the lap siding from the scallop pattern under the eaves and the beams for the porch’s openings, along with the sage green of the façade creates an irresistible curb appeal!

My fave feature of this Craftsman Bungalow is the large, covered front porch with its tapered columns resting on a solid railing. I especially admired the mix of materials and textures used for the house and porch’s  foundation. At the porch, alternating layers of rusticated concrete masonry units to simulate stone, running bond brick, brick laid to create square openings for ventilation at the porch’s railing, and a topping of concrete like icing on a slice of torte wrap around the porch. Finials mark the beginning of the solid railing at the sides of the steps. 

The rear elevation’s deck and steps with a shed roof supported by brackets has the potential to be infilled with walls to become a mud room/laundry. The shed also has potential as an office, studio or a potting shed. The majestic crape myrtle will add color in the summer.

The terrace formed by random stones has grass instead of mortar between the stones and its irregular shape blends into the deep rear yard. Behind the shed are garden beds and at the end of the property is the original garage that would be just right for my Ford Focus!

The porch was originally open but when the porch was screened, solid wood paneling covered the ventilation spaces in the railing’s brickwork at the interior of the porch. The solid railing offers seated privacy and the wood slat ceiling is painted in the traditional pale blue color. This color selection is rooted in the Gullah people’s belief that spirits would not cross over water and painting ceilings blue to resemble water would ward off evil spirits. 

The front porch’s NW orientation provides cooling breezes during the warm months. The entry door is centered in the porch to define spaces for sitting or dining and the Craftsman style light fixture is the perfect touch. I would spend Sunday afternoons on the porch swing reading a book with my cat in my lap!

The front door opens into a foyer and the stairs. The typical Craftsman detail of separating rooms with columns and bases with hinged doors for storage always provided great vistas between adjacent rooms. I imagine at one time the woodwork and stair balustrade were stained wood but the white color does lighten the space. The white risers accentuate the stained wood of the stair treads and the beautiful wood floors flow through the main rooms.

The spacious living room spans two-thirds of the house’s depth and the long windows cast sunlight deep into the room.  The craftsman style window trim is accentuated by rosette corners that project slightly past the top and side of each window for emphasis. 

The green color of the exterior palette becomes lighter green walls in the spacious living room. The side wall’s fireplace between two long windows is simply detailed with deeper green brick and a wood mantel. At the rear wall, a wide wall opening infilled with a pair of French doors leads to the den.

The den at the corner of the house has high wood wainscoting and an exterior door to the covered deck overlooking the rear yard. The short hall past the adjacent full bathroom leads to the kitchen at the other corner of the house.

I admired the bathroom’s black and white color scheme with the checkerboard tile floor and white tiled walls with accents of black. The full bath’s soaking tub could be removed for use in a second floor primary bath. The pedestal lavatory is opposite the lavatory but it could easily be relocated next to the toilet to create more floor space. 

Removing the wall between the kitchen and the dining room created an open plan with windows on the three exterior walls. The current Owners updated the kitchen with craftsman style wood cabinets, granite countertops, tile backsplash, farmhouse sink and stainless steel appliances.  The high counter facing the dining room creates a spot for a breakfast bar. The double-unit windows over the sink and the single window at the rear wall add to the ample sunlight from the dining room’s windows. 

The spacious dining room could easily accommodate family dinners or larger celebrations and the period pendant fixture is the perfect touch. I surmised that instead of a single door opening in the wall to the foyer was not original.  That portion of the wall probably matched the Craftsman style opening to the living room. Since the framing probably is hidden in the wall, opening up the foyer wall would create great vistas and easier flow between the rooms. 

The stairs to the second floor lead to a hall with a window for daylight. The side by side washer and dryer are located in the corner but with a little creative space planning, the appliances could be relocated to a closet. The door opposite the stairs opens into the centrally located full bath.

The full bath is tucked under the shed dormer with triple windows for sunlight and privacy. The wood wainscot highlights the white fixtures and lavatory cabinet. Opposite the windows is the tub/shower.

Although this room is not labeled as the primary bedroom, this bedroom in the center of the floor plan would be my choice for its charming interior architecture from the wide shed dormer infilled with triple windows. Since the windows face north, soft daylight with no glare would be a plus.

At each side gable walls are the other two bedrooms with storage rooms at the front and back of the house. Since two closets would not be necessary, making one of the front rooms a bath for the shed dormer bedroom would be my choice for to create a primary ensuite.

At the other gable end of the house is the third bedroom that spans the full depth of the living room below. This bedroom could easily be shared, or could also be a bedroom with a play space for a child. I imagine the square window with its sill at floor level would be claimed by the family pet for his/her sleeping space!Charming Craftsman Bungalow on a desirable and deep corner lot location, only four blocks from the center of St. Michaels’ shops and restaurants along Talbot St. After crossing Talbot St., Railroad Ave. becomes Cherry St., which ends at the pedestrian bridge to the Chesapeake Bay Maritime Museum and the harbor restaurants are nearby. At the other end of this street is a park and the entrance to the Rails to Trails. The bungalow’s compact floor plan with minimal halls maximizes the room sizes and creates easy flow among the rooms with abundant sunlight from the long windows. Original Craftsman details, especially the millwork between the foyer and the living room, stair balustrade, moldings and beautiful hardwood floors set the scene for gracious in-town living. The screened porch that spans the full length of the house and the rear stone terrace overlooking the yard are great outdoor rooms for relaxing with family and friends. I am so grateful for having the chance once again to become captivated by this charming bungalow! 

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TTR Sotheby’s International Realty at 410-745-2596 (o), 410- 310-0225 (c), or [email protected] . For more pictures and pricing, visit monicapenwell.sothebysrealty.com “Equal Housing Opportunity”.

Photography by Eve Fishell, Chesapeake Pro Photo LLC, 443-786-8025, www.chesapeakeprophoto.com, [email protected]

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

Two years ago I wrote a special feature about the Sears Roebuck pre-fabricated houses that I illustrated with images of houses I discovered on the Eastern Shore.  From 1908 to 1940, Sears Roebuck offered a complete package of house plans and materials that were shipped throughout the US. There were five series of 447 house designs in architectural styles that included the most popular, the American Four-Square. Today’s feature, “The Dover” cottage design, was built throughout the US, including the brick version in my home town of Kingsport, TN.  

The cottage style design elements of compact floor plan, distinctive one-story steep roofed entry with one long curved side against the story and a half massing, jerkinhead roof pitch at the sides, window boxes and tapered brick chimney give this cottage great curb appeal. 

 

The cottage’s very desirable corner lot and the house’s classic color palette of white siding and green shutters stands out against its background of mature trees for shade. The front brick stoop’s steps lead down to each side of the lawn.  

 

The deep lot is bordered on the side street by a white picket fence that connects the house to the outbuilding at the rear. The Owner added a one-story addition to the original house and added a screened porch to the existing outbuilding. 

 

Connecting the house and addition to the outbuilding and screened porch is a brick terrace with an irregular edge that blends into the planting beds. From the side street, I passed under a white arbor festooned with vines. The majestic tree will provide ample shade during the warm weather months for al-fresco dining. The house’s exterior door leads to the corner sunroom and to the kitchen.

 

The graceful arched wall opening defines the foyer with its coat closet, wood wainscot and the cottage style door of vertical wood planks. The living room’s light colored walls accentuate the beautiful wood floors and the front single window and side double unit window provide ample sunlight. I admired the chimney’s deep mantel and simple detail of soldier bricks (tall side exposed) and header bricks (short side exposed) that breaks up the brick running bond pattern. Above the mantel, the vertical boards add extra texture.

 

The original “Dover” model had a bedroom behind the living room but the Owner opened up the rear wall to create an open plan living-family room. The side wall pairs of windows provide extra sunlight for both areas. I admired the earth tones and subtle patterns of the living room’s upholstered furnishings.

 

The corner windows of the living room creates a sunny space for relaxing. The combination of plantation shutters that cover the lower part of the windows and the translucent pleated shades above are a great solution for both sunlight above and seated privacy below. The exposed radiator could be encased with a lightweight metal cover and cushions for extra seating.  The  wide wall opening with a gentle elliptical arch leads to the dining room and the dropped beam separates the family room from the living room.

 

Converting the former bedroom into a family room created a cozy sitting area for watching TV. I could easily imagine stretching out on the sofa’s ottoman with my cat stretching out over the radiator! The beautiful wood antique pieces add warm accents to the room. 

 

The wide wall opening continues the open plan into the dining room and the room’s corner location with windows on each wall offers panoramic views of St. Michaels. The room’s spacious size can accommodate family dinners or larger celebrations.  The corner cabinet contains shelving and a glass upper door to highlight china and  glassware and the grandfather clock is also angled against the opposite corner. The window treatments continue the look of the living-family room.

 

Two open corner doorways connects the kitchen to both the dining room and to a short hall past the stairs to the family room for a continuous flow throughout the main rooms.  I love checkered patterns and the soft hues of this blue and white floor expand the space.  The original “Dover” kitchen’s layout had free-standing appliances and work areas but this kitchen’s layout saves steps for the cook. I once had an antique oak dresser like the stylish one next to the fridge that I converted to a bathroom lavatory. This piece could be a great bar for parties since it is close to both the dining and family rooms.

 

The kitchen’s mix of craftsman and solid panel cabinetry adds style. The upper cabinets extend to the ceiling and are a mix of solid and glass doors. The double window over the sink and the wide window at the rear wall overlooking the terrace keeps the space sunny and bright. 

 

The kitchen corner blends the addition into a short hall for access to the stairs to the basement, and to the addition’s primary suite and the sunroom. The hall also does dual duty as a mini mudroom. The exterior door leads to steps down to the brick terrace for ease of serving meals from the kitchen. 

 

The hall blends into the corner cozy sunroom overlooking the brick terrace. Its location away from the living and family rooms and the soft hues of the walls and furnishings makes it a quiet haven for rest and relaxation. The soft pleated shades filter the sunlight and provide seated privacy.

 

The primary bedroom is located in the corner of the addition away from the streets for peace and quiet. The light blue and cream interior design creates a setting for a restful sleep and the height of the up/down translucent shades can be adjusted as desired. 

 

The light blue and cream design of the primary bedroom extends into the primary bath. The front glass wall of the shower extends the space visually and I admired how the smaller tiles of the shower floor contrasts with the larger tiles of the floor and shower surround. The vintage style porcelain enamel pedestal lavatory pays homage to the original fixtures of “The Dover”.

 

The “U” shaped stairs to the second floor are sunlit from the side window and the stairs end at a closet between two mirror image bedrooms. Moving one side of the closet wall to align with the side wall of the stairs should create enough space to add a bathroom for this floor.

 

Each bedroom has a double unit window in the side gable walls of the house for sunlight and doors to access the closet storage under the eaves of the roof. 

Desirable corner lot in St. Michaels on the edge of the residential area with close proximity to Town amenities without having to drive through the commercial district; charming English cottage style with many architectural details that give it great curb appeal. Entry vestibule, main floor primary suite, second-floor guest bedrooms, open plan living-family-dining area with graceful arched openings that define the spaces, corner sunroom, partial basement, outdoor rooms of the brick terrace that wraps around the house to the screened porch attached to the single car garage, landscaping with majestic trees for shade; all this in St. Michaels! 

 

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For more information about this property, contact Barb Watkins with Benson and Mangold at 410-822-1415 (o), 410-310-2021 (c), or [email protected]. For more photographs and pricing, visit www.easternshorehomes.com,   “Equal Housing Opportunity.”

Photography by Janelle Stroop, Thru the Lens Photography, 410-310-6838, [email protected]

Are you wondering if your house is a Sears House? Several clues might remain, such as stamped lumber exposed in your basement or attic. Framing members were stamped with a number and a letter to expedite the carpenters’ work. Other clues would be a shipping label, found on the back of moldings around doors and windows. In the 1930’s, hardware fixtures often had a small circle around the letters “SR” that would have been cast into the lower corner of a bathtub or the underside of kitchen sinks or bath lavatories.  

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

As I was searching for this week’s feature, I had just finished watching Season Five of “The Parisian Agency” so France was on my mind and this house spoke to me. The Second Empire style became popular in France during the reign of Napoleon III, France’s “Second Empire”. Its origin was actually in the 17th century designs created by the French architect Francois Mansart, for whom the distinctive roof style is named. The mansard roof with dormers, flared, shallow eaves and the bay window are the most recognized Second Empire design elements that made this style the dominant one in America between 1860 and 1880. 

Some Second Empire houses also had full front porches, but this house’s front porch has been modified and infilled with windows. The  mansard roof with its very low upper pitch and steep lower pitch is both stylish and functional since the steep lower pitch enables the entire third floor level to be fully usable.

Slate was the common roofing material for the steep lower slope of a mansard roof but this house’s horizontal cladding in a contrasting color to the siding accentuates the roof’s form well. I admired the two-story bay wall projection that was probably a later addition and how the upper portion flares out to create a box bay with decorative fretwork. 

The rear addition contains the kitchen and the laundry on the main floor and two bathrooms on the second floor. This clever solution both upgraded the house and also consolidated the plumbing layout for cost savings. I was sorry that my visit was too early to see the majestic Magnolia in bloom! 

The original front porch now has a new life as a four seasons room with easy care brick flooring and the mix of furnishings creates a cozy space for relaxation.

When I opened the front door, the magnificent curved stair reminded me of historic houses in Charleston or Savannah. I especially admired the detailing of the two curved lowest treads, how all the stained wood treads stand out against the white risers and the contrast of the dark and sinuous cap rail. I especially liked how the sunlight from the side window cast its shadow onto the wall and the jamb of the front parlor’s doorway and the window on the second floor cast another shadow that caught the curvature of the cap rail. 

The front entry’s original door, transom and half paneled/half glass sidelights with layers of molding and trim introduces the extensive trimwork found throughout the house. Even though my tour was on an overcast day, the entry had ample daylight from the large window at the side wall and the door surround. The period pendant light fixture was the perfect touch.

Before exploring the house, I walked around the stairs to fully appreciate the curvature of the stair’s molding and the interlocking decorative trim underneath the treads. I especially admired the dual curvature of the stair trim below and the cap rail above.

From the stair hall, a doorway leads to the front parlor with its focal point of the stunning stained oak mantel infilled with a mirror and iron firebox cover. Three windows wrap around the corner of the room and a wide wall opening connects the parlor with the adjacent family room and dining room to create an open plan. The family room and dining room are separated by  a partial wall of storage with a center opening framed by partial height columns and pilasters at each corner. The nine and half foot ceilings make the main floor rooms look larger than they are.

The family room’s focal point is the wide bay wall projection infilled with windows for panoramic views of Trappe’s Historic District. The space is furnished with a tabletop chess board and two chairs but its solar orientation would also make it a charming spot for breakfast. The wall opposite the sofa and coffee table can easily accommodate a wall mounted TV. The beautiful white moldings and cornices tie the room together to complement the wall color. The window and door openings are trimmed in fluted trim with rosette corners throughout the house.

Standing between the columns in the partial height wall, I savored how the family room’s bay wall projection is on axis with the identical bay wall projection in the dining room. The beautiful wood antiques add warmth to the space and the round dining table is the perfect choice to complement the angled wall. The deep open shelves on the side wall can easily accommodate platters or serving pieces.  The console table is tucked into the recessed wall space with accent lamp lighting  and the mirror above becomes another window. 

Passing through a doorway in the family room, I discovered the powder room, kitchen and laundry areas located in the addition to the house. The window next to the sink overlooks the rear yard so the cook can watch children at play and the side exterior door leads to a porch at the side street for ease of unloading groceries from one’s car. The kitchen’s stylish upgrades of stainless steel appliances, white cabinets and black granite countertop and full backsplash that surround the center island appealed to this cook.  The breakfast table and chairs  are next to another stair to the second floor.

The laundry/mud room has an exterior door that leads to a small deck overlooking the rear yard. If one needed counter space, the dryer could replace the sink and a shallow shelf or table could be placed under the high window.

Instead of using the kitchen’s single flight of stairs to the second floor, I returned to the entry hall’s original staircase so I could again admire its geometry of curves and angles.  Another full flight of stairs leads to the third floor.

The second floor of the original part of the house contains a center hall between two back to back large bedrooms and a smaller bedroom across the hall. Both of the large bedrooms have windows on two exterior walls for ample daylight. The nine foot ceilings create very pleasing spatial volumes.

The space on either side of the parlor’s chimney contains closets for each large bedroom and this bedroom at the rear of the house also has a window on each exterior wall for ample daylight.

It is easy to be charmed by diminutive spaces and the small bedroom has a big asset in its box bay infilled with windows for panoramic views of Trappe’s Historic District.  At the left side of the box bay is a recessed area that could accommodate a crib for a nursery or a desk for an office.

The second floor’s two baths are side by side and this large one with its wood wainscot, lavatory cabinet and lower cabinets for storage is a great family bathroom so the smaller bath could be a dedicated primary bath.

The view from the third-floor stair landing highlights the continuous railing that unwinds itself down to the first floor.  The third floor has not been renovated and is a blank canvas awaiting one’s imaginative use-playroom, teen hangout, studio long-term storage…? The views through the windows of the rooftops and treetops is truly a bird’s eye view!

Even though the Lakeside development offers new homes, I much prefer Trappe’s Historic District gems like this Second Empire-style three-story house that offers both historic charm and a newly renovated condition. Its location equidistant to both Oxford and Easton in a quiet town has great appeal. High ceilings, extensive moldings, beautiful wood floors and the stunning staircase with its continuous handrail that rises to the third floor, open plan parlor-family room-dining room and newly renovated kitchen offers a great layout for family living. The deep corner lot also has a detached storage building and the house’s furnishings may be purchased separately from the real estate!

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For more information about this property, contact Bob Shannahan with Shoreline Realty, Inc,  at 410-822-7556 (o) 410-310-5745 (c) or [email protected].  For more photographs and pricing, visit www.shorelinerealty.biz , “Equal Housing Opportunity”.

“Where Land and Water Intertwine, An Architectural History of Talbot County, Maryland”, by Christopher Weeks, with Contributions by Michael O. Bourne, John Frazier, Jr., Marsha L. Fritz and Geoffrey Henry.

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

As an ardent proponent of historic preservation, I am honored that today’s feature is “Highfield”, the home of Michael and Ann Bourne since 1989. Michael Bourne was a giant in the field of historic preservation in the Mid-Atlantic region. His research and drawings of historic structures and sites in Kent County are now housed in the Historical Society of Kent County. His dedicated effort to document for future generations almost every historic building in Chestertown led to the formation of the non-profit group, Preservation. Inc. and many philanthropic projects that rescued houses in danger of demolition. His book “Historic Homes of Kent County”, and his contribution to “Chestertown Maryland, An Inventory of Historic Sites”  are my go-to sources for background information on historic houses I have featured. 

The five-acre site offers peace and privacy and includes two outbuildings; one is outfitted as a wood-fired brick oven bakery and the other is a storage building for lawn maintenance.

The design of this special house was a labor of love for the Bournes; his degree in architecture and the couple’s fondness for the vernacular farmhouses of Suffolk County in England they had admired during many visits to that region resulted in the design of this one of a kind house. Details including the steep pitched roof, “catslide” roof slope at the east end of the house, the tall, articulated chimney, multipaned windows,  and enclosed front entry reflect their sophisticated taste and serious attention to every detail. The landscape design was also carefully considered and includes multiple perennial beds, including this border along the brick path leading to the front door which starts with daffodils in the spring and moves to columbine and yellow lilies in late summer.  

I especially admired the careful attention to the window arrangement and how the sill of the tall and wide window above the stair aligns with the headers of the first-floor windows.

Every elevation of this house is beautiful; I loved the massing of the main roof’s hip to the vent just below the roof’s ridge and how the lower pitched roof over the screened porch also provides a wide dormer for the primary suite above. The house’s colors of nature in shades of brown blend into the surrounding trees.

The rear and other side elevation is my fave one-the wide two-story window dominates the façade and the trim caramel color accentuates each window and the eaves for contrast against the light lap siding. From my weekly viewing of the BBC House and Garden Network’s architect George Clarke, the Brits love their conservatories and the corner wrap around windows of the mini-conservatory await the flowering plants of spring.

 

The custom front door opens into a foyer tucked under the stairs and the “bridge” that links the two bedroom ensuites on the second floor. The tall triple window unit above the stairs floods the stairs with sunlight and the warm butter yellow walls with the stained floors and trim enclose a cozy space for relaxing. 

Throughout the house, the Bournes’ art collection includes many of their daughter’s works, including  four miniatures in the Great Room.

The front door’s artisan unique wrought iron hardware introduces both the antique and reproduction hardware found throughout the house.

The spacious living room with its warm blue walls, custom grey carpet, and red accents spans the depth of the house. Its focal point is the Hamstone fireplace surround with detailed beveled trim that forms a gentle ellipse around the opening to the firebox’s lining of oversized brick. Front and side windows offer direct views of the landscape and the pair of French doors between full height windows leads to the adjacent screened porch. 

The deep screened porch is a wonderful outdoor room for easy outdoor-indoor flow to the living room and to the terrace. I admired the flagstone flooring with a brick border and the slight elliptical shape of the header trim of the screened panels. The dark structural framing and the darker screened framing contrasts with the warm white of the ceiling planks.

To fully appreciate the spatial height of the two-story Great Room, I walked back under the one-story foyer and then into the magnificent two-story space with its triple height windows in a 5-4-3 vertical pattern overlooking the landscape. As I was mesmerized by the window wall, the side warm butter yellow wall appeared to change color as a ray of sun cast its shadow on the wall. This room blends historic elements and the Bournes’ love of British vernacular design with energy efficiency of the window wall’s SSE solar orientation combined with a six-zone heating system results in low energy bills!

The earth tones of the interior design are enlivened by accents of color in the deep slate blue freestanding Danish stove and the discreet Runtal panel radiator underneath the window sill along with the red wing chair. Having written an article several years ago about Chestertown’s talented Deep Water Landing’s artisan chandeliers, I recognized their work floating above in the space.

The simple elegance of the wood table, Windsor chairs, and centerpiece of a copper container of African violets between two brass candles sets the scene for memorable meals with views through the window wall to the landscape beyond. I especially liked how the window muntins cast a checkerboard of shadows onto the tabletop. 

The very wide wall opening between the Great Room and the kitchen creates an open plan for easy flow between the rooms. The spacious “U” shaped kitchen with another row of cabinetry behind the island appealed to this cook. I admired the contrast of the butcher block countertops for chopping or kneading bread with the darker cabinetry, another accent of red in the walls and another Deep Water Landing artisan chandelier.

I admired the openness of the kitchen with the pairs of double units at the rear wall and the triple window overlooking the adjacent mini-conservatory. The space is full of sunlight since there are no upper cabinets!  I much prefer the Brits’ preference of a pantry off the kitchen that this layout has.   =

 

At the corner of the house next to the kitchen is a space divided into a stairwell to the basement and a mud room. The wrap-around window sills will soon be adorned with colorful plants.  The stairwell leads to the full basement with a large ante-space, laundry room, playroom, and workshop.

The mud room’s easy care quarry tile flooring flows through the space with pegs for jackets, a bench for taking off one’s Wellies after time in the garden and an umbrella stand. At the end of the mud room is a powder room. The exterior door leads to large stone pavers that curl around the corner of the house to the terrace and the screened porch.

 

The study at the front of the house is accessed from both the Great Room and a short hall between the kitchen pantry and a row of kitchen cabinetry. The projection of the pantry’s side wall creates a nook in the study. With a cushion and pillows, the nook becomes a cozy break from computer work or a spot for the cat to bask in the sunlight from the quad window unit. The ergonomic chair, leather-topped mission oak desk and the bespoke millwork are all one needs in a quiet corner study for work.

The bridge at the top of the stairs is offset from the front wall to allow open space for the large window at the front of the house to provide daylight for both the foyer below and the bridge. The windows at the rear wall of the Great Room below also provide daylight and views of the landscape. Beyond the bridge is a wall opening leading to the guest ensuite and the stairs to the second guest ensuite on the third floor.

The primary bedroom is located over the spacious living room at the west end of the house. The tray ceiling, triple unit window on the west and  two double unit windows provide ample sunlight throughout the day. The room’s focal point of the canopy bed with its delicate leaf pattern, the oversize chair for reading before bedtime, the antique wood pieces and the expanse of the teal carpet create a restful retreat. Since the laundry is located in the basement, there is a laundry chute hidden in the built-in cupboards next to the chimney wall behind the bed.

The five piece primary bath has two lavatory cabinets with hexagonal Kohler sinks, an over-sized soaking tub, shower, and toilet and is handsomely accented by deep blue Portuguese delft tiles, several delicate watercolors, and  pots of plants.

The second floor guest ensuite bedroom has serene light green walls and mix of wood, rattan, and upholstered furnishings. The mahogany closet doors for this bedroom were reclaimed from an antique armoire. A full bath and a dressing room with a laundry chute complete the ensuite.

The third floor guest bedroom has delightful interior architecture from the knee walls and the sloped ceiling. The spatial geometry creates chamfered corners for both the wood doors and trim. I admired the four-poster bed’s colorful bedspread and the wooden trunk that is now a stylish table. 

Walking around the grounds, I appreciated the pastoral views and marveled that this peaceful haven was only three miles from downtown Chestertown! I lingered on the terrace by the flower bed bursting with texture and color from the arrangement of low to tall plants and flowers that are  beginning to awaken from their winter dormancy.

 

As I strolled through the grounds of this five acre property and the rooms of this unique house, I felt I was visiting one of Great Britain’s National Trust properties.  ”Highfield” personifies the Bournes’ deep commitment to both preservation and their appreciation of Great Britain’s historic architecture. The Bournes’ attention to detail is evident in the planning of the gardens and every room of the house.  Details like the Hamstone fireplace, newel posts in the stairs, antique doors and antique hardware, stained floors and trim, etc., give the house its inviting warmth and unique character that make “Highfield” a rare gem. The outbuilding that is equipped as a bakery with a brick oven could be transformed into a charming guest house, but guests would be reluctant to leave this peaceful haven, only three miles from downtown Chestertown. Lucky indeed is the person who becomes the next steward of this magnificent property. My highest praise for “Highfield”-Bravissimo!

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For more information about this property, contact Nancy McDonald McGuire at Maryland Heritage Properties , 410-778-9319 (o) ,443-480-7342 (c), or [email protected]. For more photographs and pricing, visit www.marylandheritageproperties.com/home , “Equal Housing Opportunity.” 

Contractor: Phillips Home Builders
Photography: Stephen Buchanan, Nancy McDonald McGuire, and Ann Bourne.
Aerials: Stephen Buchanan, buchananphotography.com

Selected botanical art by Atwater Designs, www.atwaterdesigns.com

“Chestertown Maryland, An Inventory of Historic Sites” , based upon an historic site survey conducted by Robert Neill, Michael O. Bourne, and Kathleen B. White, with additional survey information by Marsha Fritz, Robert J.H. Janson-La Palme and Peter Newlin

“Where Land and Water Intertwine”, An Architectural History of Talbot County, Maryland, by Christopher Weeks, with contributions by Michael O. Bourne, John Frazier, Jr., Marsha L. Fritz and Geoffrey Henry; published by the Johns Hopkins University Press and the Maryland Historical Trust.

The Historical Society of Kent County, www.kentcountyhistory.org, 301 High Street, Chestertown, MD, (410) 778-3499

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

This unique house, designed by its Architect/Owner, is sited on a narrow peninsula between the Honga River and the Chesapeake Bay. The 0.9 acre lot includes a dock with a boat lift across the entry road, a driveway that can accommodate two cars and a bayside outbuilding. The aerial shot illustrates the house’s simple form, but make no mistake, there is nothing simple about this house- it is simply elegant. Every vista and detail have been carefully thought out by thinking inside the box to create a harmonious whole.  

Since the Architect was his own client, he was free to incorporate minimalist design elements he always wanted into this house. He chose a metal roof to hear the sound of rain as it hit the metal; maple flooring instead of the ubiquitous oak;  “allthread” suspension steel rods and turnbuckles to support the entrance canopy and interior exposed steel structural elements. His finishing touch was the small balcony off the second floor where he could feel suspended in air as he savored mid-summer sunsets on the far horizon. 

Before I went in for my tour, I admired the front façade’s carefully composed arrangement of large and small windows that identify the hierarchy of the functions within. The uniform color palette of shades of gray from the exposed foundation of concrete masonry units covered in dark gray plaster, lighter gray Hardie lap siding and the very light gray steel roofing makes the building seem larger than it is. 

The rear elevation has spectacular views  of the Chesapeake Bay and is almost totally transparent except for the solid portion that covers the staircase to the second floor. The elegant grid of the large windows was carefully thought out to utilize stock picture windows and sliding doors from the Home Depot! The waterside outdoor rooms of the first floor’s deck that spans across the length of the house has steps to the lawn and the balcony at the corner of the second floor provides front row seats for the parade of small craft and freighters to and from Baltimore. The small accessory structure was reclad and reroofed to match the house.

The Architect/Owner greeted me at the front door and even though I had seen the MLS pix, I was mesmerized by the living room’s spatial volume and the play of sunlight through the window grid onto the side wall. Both the detailing of the window wall with steel tubular columns and the minimalist window shades in their fully open position maximizes the view across the Chesapeake Bay to the far horizon.

The expanse of white walls and ceiling reflect the sunlight on the walls and the beautiful maple flooring. The combination of the first floor being elevated above the grade and the high sill height of the front windows blocks the view of cars on the street. Except for the trim around the entry door, all of the doors are frameless and have latches instead of hinges. That detail and the windows framed in drywall instead of trim maintain the minimalist look. 

I admired the juxtaposition of the classic “Arco” light and the antique wood piece from Venezuela. The Architect/Owner told me he meticulously stripped and restored the treasured family piece so it now has pride of place in the living room.   I also admired the clever arrangement of holders arranged on the wall near the front door-so easy to drop one’s keys, etc. upon arriving home. The room’s soothing neutrals of the large kilim, the deep caramel seating that picks up the rug’s background color, pillows and the granite top that matches the kitchen countertop create a serene space for relaxing. 

The window wall grid wraps around the corner to offer a panoramic view with the bonus of delightful shadows cast onto the wall. The Swedish wood stove that accommodates vertical logs is a sculptural element and does not block the water view from its position diagonally across from the corner structure. I was quite surprised to learn from the Architect/Owner that what I thought was bespoke  low sleek cabinetry actually came from IKEA! The mix of the top open shelf and closed door provides great storage for DVD’s and I was lucky that one of my fave  Bach pieces was providing background music during my tour.

The open plan living-dining-kitchen’s ceiling plane drops in height at the dining-kitchen area below the second floor loft. Another kilim anchors the glass tabletop and sleek modern chairs. The stylish triangular pendant lighting fixtures are by Fuschia and their transparency blends into window wall beyond.

The partial height wall separates the dining area from the kitchen and I admired the waterfall detail at each end that frames the white insert. The upper cabinets float just under the ceiling plane and their frosted panels both contrasts with the white panels of the other upper cabinets and also expands the space visually. The stairs with the treads’ pine grain contrasts with the monolithic look of the maple flooring and the white risers clearly define each step. 

This compact yet highly efficient kitchen also contains IKEA cabinetry and the Architect/Owner carefully thought out the cabinetry layout. He cleverly set an upper cabinet that is usually placed above a range over a base cabinet to house his “wall” oven above the range.  The stainless steel appliances, white cabinets and the veined granite countertops pleased this cook very much.

Behind the core area of the kitchen and adjacent primary bath is a hall connecting the living room with the primary ensuite. The wall depth was designed to have a recess to accommodate the IKEA adjustable shelving units that are set on casters for ease of cleaning and/or moving. The high square windows provide both daylight and privacy. The break in the shelving units leads to the primary bedroom’s four-piece bath that is also a powder room for guests. The hall vista ends at the full height mirror set against the wall for added perspective.

The spacious primary bedroom spans from the front to back corners of the house. The soft window treatments allow sunlight to filter into the room while maintaining privacy. The kilim anchors the reading and writing area of the bedroom with the stylish woven chaise and IKEA desk with its wood pull down surface. I dearly coveted the stylish lamp with its striped base and mesh metal shade.

The low cabinetry is a twin to the living room’s unit and the nightstands are also from IKEA. Sconces above the bed are mounted the perfect height for reading  and the simple right-angled uplights above add ambient light. The rear wall facing the water fills half the wall and the low horizontal window is set at the perfect height for a first look at the water each morning before rising to begin the day.

The spacious dressing room is outfitted with both a Closet Maid system and wood storage units with ample storage for two. The window tucked below the stair run adds sunlight and a view of the water.

The four-piece primary bath includes a corner shower and a tub. The IKEA shallow lavatory with a porcelain top and tiled high backsplash floats above the tiled floor that extends around the shower walls.

The mirror with a shelf below extends to the corner of the tub with ample storage for both lavatory and tub. The floor tile continues up and around the tub enclosure for a seamless look that expands the space visually.

Retracing my steps back to the stairs, with each step upward I enjoyed an increasingly expansive view of the water, ending at the maximum view at the wide window with its sill just above the second floor landing.  I turned around to savor the angled framing like buttresses at the exterior window wall that were the source of the diagonal shadows on the living room’s wall. The Architect/Owner explained how the window wall at the landing is the only unit that was required to have tempered glass.

At the top of the stairs is a room with another wrap-around window at the corner that matches the living room’s corner unit for symmetry. A sliding door leads to a balcony for a bird’s eye panoramic view of the water, a fresh air break from work or a spot to enjoy spectacular sunsets. The room is currently used as an office-workout area but with some modification it could become a bedroom. Off the short hall from this room to the loft overlooking the living room is a large storage room that contains a stack washer/dryer and a full bath. 

The balcony is a perfect spot for a break from work, or for savoring the sunsets at the end of the work day.

The loft area is furnished as a TV room with a grid of open shelving creating a partition separating this area from the drafting area beyond. The splash of the red futon and the black and white accents of the rug and pillows create a cozy space for watching TV. The railing’s glass panels and slim wood cap disappear into the upper wall of the living room. 

I dearly envied having this fab workspace with its views of the water for breaks from drawing or writing! 

The view from the loft work space overlooking the living room shows how deep the sunlight penetrates the room to create delightful patterns on the wall through the day. Who needs artwork when you have a daily kinetic play of light on the wall?

One of Le Corbusier’s famous quotes was “ Space and light and order. Those are the things that men (and women) need just as much as they need bread or a place to sleep.”  This fab nocturnal shot highlights how well the talented Architect/Owner “thought inside the box” to create a simple yet elegant design through this remarkable house’s transparency, skillful space planning, white walls and ceilings to reflect the sunlight, carefully chosen color accents and stylish lighting fixtures throughout the house. 

Great design is not necessarily expensive-in the hands of a master architect and his clever use of materials and products from Home Depot and IKEA, he created  a truly unique and tranquil haven  without blowing his budget. Bravissimo!

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For more information about this property, contact TTR Sotheby’s International Realty agent Joan Wetmore  at 410-673-3344 (o), 410-924-2432 (c) or [email protected]  or TTR Sotheby’s International Realty agent Melissa Tippett at 410-280-5600  (o), 410-241-7409 (c) or [email protected] For more photographs and pricing, visit redfin.com/MD/Fishing-Creek/2522-Hoopers-Island-Rd-21634/home/14735018, “Equal Housing Opportunity.”

Photography by Moses George Cohen, 202-688-8581, [email protected]

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

The first neighborhood I discovered after I moved to the Eastern Shore was Travelers Rest. My sister’s in-laws’ property along the Tred Avon River was the scene of many family gatherings and they kindly included me. I soon appreciated how sought after the neighborhood was, due to its being set back far from highway 33/St. Michaels Rd. and its close proximity to both Easton and St. Michaels.  Since there were no through streets, it is perfect for walks or biking after family feasts! 

The six acre property contains the original early 19th century house with later addtions, a pool and two barns, one of which serves as a garage. The house is sited perpendicular to the inlet that leads to the Tred Avon River. 

The wonderful reference book “Where Land and Water Intertwine” includes “Sunnyside” and this photograph in the book shows the one-room deep house  with the  slightly higher roof on the left room that breaks up the massing. The house’s story and a half architecture with a red brick chimney, dormer windows, historic green shutters and the white horizontal wood siding is a great example of  vintage Eastern Shore vernacular style. 

The house was expanded by a former owner who added a wing at the left side but the setback respects the original form of the house. The house was also updated to include a family-kitchen open plan at the other end of the house that faces the water.  The varying roof ridges break up the massing and creates a quite pleasing front elevation against its background of mature trees.

 

The side and rear elevations show how much the additions respected the original part of the house. The exterior door with steps to grade leads to the laundry room for clean up after a dip in the pool. The picnic table’s view of the water makes it a perfect warm weather spot for snacks or meals.

The pool area is open to the sun and has privacy from the trees at the edge of the property. The bird bath is a mini swimming pool for the birds who live in the bird house on top of the post.

I ended my tour of the grounds at the pier. Sitting on the bench, I  admired how the undulating shoreline of the adjacent properties framed the long view across the river from this tranquil spot.

The front door opens into a large foyer with a recessed alcove that is enhanced by the warm wood tones of the original wood floors, the antique desk and the ornamental mirror. I especially admired the hand-painted grass cloth sourced by the Owner’s DC designer and the vista through the living room to the stairs.

The large living room has three wide and long windows on each exterior that provide abundant sunlight. The diagonal pattern of the rug anchors the seating group and makes the spacious room seem even wider than it is. I have a pair of Bergere chairs in my living room and this room’s chairs in their striped pattern also add a touch of French flair. At the side of the room is one of two staircases to the second floor and the alcove with a gentle elliptical arch leads to the main floor primary suite. 

The focal point of the living room is the fireplace that is surrounded by the room’s collection of 19th century furnishings and artwork. This photograph highlights the beautiful wood floors and how the complementary colors of light blue and pale yellow create a serene space for relaxation.

The stylish dining room is located in the original part of the house and its interior design makes it my fave room. I admired the golden walls and window treatments; the juxtaposition of the crystal chandelier with the hand-hewn beams; the patterned rug that is a twin to the living room’s rug, and the Chippendale table, chairs and sideboard that add timeless elegance. A secondary stair leads to the second floor.  

Off the dining room is a pantry/storage room with an exterior door. This space could be converted into a powder room with built-in cabinets for storage that would also be convenient for pool users. 

Opposite the stairs in the dining room is the open plan family-kitchen area with  windows that wrap around the corner for panoramic views. The wall opening at the kitchen side has been fully extended to connect the two spaces. This is the hub of the house with the seating group around the TV and a workspace area. I admired the trim’s historic green color around the windows and on both the baseboard and the ceiling trim.

The diagonal vista from the corner of the kitchen, family room and workspace area shows how well the areas flow together.  The white cabinets become part of the wall and contrast with the wood floors. The window over the sink gives the cooks a view of the water and the high glass shelf in front of one muntin of the window doesn’t block the sunlight or view and is a display space. The high side table with its dark finish that is now an island separates the areas and the countertop could be replaced with a deeper one to accommodate bar stools. 

Having just an alcove for my stack W/D, I envied this sunny laundry/mud room with a bench for sitting down after gardening and taking off one’s wellies or hanging up one’s jackets on the pegs behind the door. Even the laundry has art-the clothes line with white clothing swaying in the breeze is a charming touch of whimsy. 

I retraced my steps back to the living room so I could tour the primary suite that was added by the previous owner. The alcove off the living room leads to a short hall that ends at the spacious primary bedroom and the primary bath. The bedroom is located at the front corner of the house and three windows offer panoramic landscape views. The yellow and brown tones, the patterns of both the bedskirt and window treatments and the lovely antiques creates a soothing space for rest and relaxation. 

The door to the primary bath opens to the side wall of a linen closet and the large room accommodates a tub/shower next to the toilet, a vintage style pedestal lavatory and a rattan settee. The pale wall color highlights the beautiful wood floors. If one wanted a dual lavatory, moving the closet door to face the hall door would leave space for a dual lavatory across the rear wall to the window.

The addition of the primary suite wing created two sets of stairs to the second floor. This huge bedroom located over the primary bedroom is connected to a smaller room, creating a suite for a sitting room or sleeping space for guests’ young children. The room’s high knee walls and sloped ceiling areas creates a soothing enclosure and the white walls and ceiling expands the room’s spatial volume.

Next to the hall bath that serves both bedrooms is a small room currently furnished as an office. With the dormer windows on each exterior wall and the sloped ceiling that follows the underside of the roof rafters, sunlight reflected off these surfaces provides  sunlight through the day. I could easily imagine myself at the rolltop desk writing my Spy articles or spreading out architectural sketches on the drop leaf table.

The bedroom at the other end of the house is located over the kitchen-family area. The red accent wall highlights the room’s high knee walls and sloped ceiling  duplicated in the other bedroom. This bedroom’s side gable wall has double unit windows for water views and its bonus is the skylight for star gazing after bedtime.

Sought after location convenient to both St. Michaels and Easton; great example of the quintessential Colonial architecture of the Eastern Shore; waterfront property with six acres for peace and quiet; well-maintained house with updates that complement the house’s historic features; one-level living with a spacious primary suite and an open-plan family-kitchen with water views; pool and private pier for family fun outdoors; two staircases to the second floor large bedroom suites for additional privacy; pool and private pier for family fun outdoors-great property!  

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For more information about this property, contact Gary Marquardt at Long and Foster Real Estate Company at 410-820-7707 (o), 410-725-6238 (c) or [email protected] , “Equal Housing Opportunity”.

Photography by Janelle Stroup, Through the Lense Photography, (410) 310-6838‬, [email protected]

“Where Land and Water Intertwine”, An Architectural History of Talbot County, Maryland, by Christopher Weeks, with contributions by Michael O. Bourne, John Frazier, Jr., Marsha L. Fritz and Geoffrey Henry; published by the Johns Hopkins University Press and the Maryland Historical Trust.

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

It is sometimes challenging to find contemporary houses in our area to feature, so I was delighted to see a picture of this home with steep gables that reminded me of Swiss chalets.  I then knew the title for this article had to be “Twin Peaks”. On the day of my tour, I drove along the road lined with houses sited on top of the ridge and I almost passed by two brick piers with “Twin” on the left pier and “Peaks” on the other! 

Frank Lloyd Wright’s organic site and architecture design philosophy in harmony with nature is best expressed in his quote” No house should ever be on a hill or on anything. It should be of the hill. Belonging to it. Hill and house should live together, each the happier for the other.” As I continued my approach past the houses on either side of this property, I realized this house was indeed not “on a hill” but was sited between the top of the hill and the Tuckahoe River. 

The three-story house in nestled in the woods and opens up to the water with window walls on the second and third floors and a deck that offer panoramic views up and down the river. Between the two chalet roofed forms, the deck flows into a recessed area with a long table for al-fresco dining. The deck also provides protection for the ground floor’s concrete terrace that is both a warm weather game room and a protected storage area for firewood. 

Steps from the deck to the ground floor connects the house to the landscape with other options for relaxing outdoors on a grouping of Adirondack chairs at the side of the house or the pier at the shoreline. At the rear of the house, you are totally unaware of the adjacent houses built on top of the hill and the house’s earth toned colors of the siding and roofing blends into its wooded setting. 

 

The deck’s span across the house creates bird’s eye views of the water and connects the chalet roof forms of the living room and the family room for easy indoor-outdoor flow. Its furnishings for sitting and dining create a great outdoor room for entertaining.  At the deck level, you also see the subtle bow of the window walls’ perimeter for panoramic views of the water. 

The chalet roof forms of the rear elevation extend through the house to the front elevation. From the parking area, a sturdy covered walkway leads to the entry door at the third floor. The bridge allows the rooms on the second and third floors of the house to have windows for daylight and peaceful views of the landscape. 

The front door opens to a “T’ shaped hall leading to two bedroom ensuites and overlooks to both the living and dining rooms on the second floor. I admired the beautiful pine floors and how the knotty pine walls provide texture and break up the expanse of the walls in contrast to the floor’s pine planks. The craftsman style door is in keeping with the chalet vibe. At one end of the “T” are the stairs down to the second floor. 

Both third floor bedrooms have great interior architecture from the high knee walls and the flat portion of the ceiling. I especially admired the detailing of the front walls’ trio of low fixed glass panes without sills that allow the wood floor to float above the landscape beyond and the large windows above for landscape views. The low octagonal window above the bedding is the perfect height for the family pet to enjoy a private landscape view.  Both the front wall and the rear wall of the bedroom have white painted vertical cladding and white rafters that balances the side walls of knotty pine. 

Coming out of the bedroom, I was mesmerized by the spatial volume of the overlook to the family room below. The horizontal framing creates a “ceiling” plane for the family room’s seating area and the black color of the horizontal and sloped framing accentuates the geometry of the two-story space. What a fab vista across the river to the opposite shore!

One of the second floor baths has wood flooring and light gray walls of vertical cladding that blends into the light gray tiles of the shower surround. The glass shower door, large round mirror, the black fittings and hardware on the white lavatory cabinet complete the stylish look. 

This third floor bedroom is a twin to the other bedroom’s interior architecture, window design, materials and colors.  This bedroom has a view of the covered walkway bridge.

Having explored the third floor, I was eager to see the main floor below. Like the other chalet style roof, the horizontal framing creates a “ceiling” plane for the living room’s seating area below and the black color of the horizontal and sloped framing accentuates the geometry of the space. The wood stairs with black railings weaves through the framing to the living room below. 

The living room’s beams are wide and deep so they can contain not only the structural depth necessary for support but also recessed lighting for the room. The dramatic window wall also has a door to access the deck. The two-story living room with its high knee walls and sloped ceiling that follows the underside of the roof framing is a dramatic space with tranquil views of the water and the  opposite shoreline.

The stairs’ open risers and design becomes a sculptural element.  The interior wall of the living room is partially clad in stone to accent the TV and the fireplace. Doors behind the wall lead to the primary ensuite.

The front wall of the second floor is at grade level, since the house is set back from the ivy covered bank that was cut into the hill. The bank’s slope allows sunlight to infill the space and gives the primary suite total privacy. The window wall infilled with planes of glass and transoms maximizes the views of nature and the soft colors of the furnishings create a restful sleeping space.

The stylish primary bath’s mirror above the dual lavatory, the shower’s mix of tiles in varying sizes, textures and colors and the pendant lighting create a one of a kind primary bath. I especially admired how the circular elements of the mirror are centered over each lavatory. 

The kitchen is located between the primary ensuite and the living-dining area. The white cabinets stand out against the pale gray walls and the island’s contrasting color adds interest to the space. The veined granite of the island’s countertop and the backsplash in colors of gray, blue and white add great texture. Over the island is a pendant light whose thin frame and candlelight style bulbs disappear into the space’s volume. The doorway to the adjacent family-dining area aligns with the door on the other side of the kitchen to the living room for easy flow through the house. 

The kitchen’s island is on axis to the deepest part of the deck that accommodates a long table and a grille for warm weather meals. At this level of the house, there is a direct view to the river and the shoreline beyond.

The family-dining area spans the depth of the house and the spacious size easily accommodates a full size wrap-around sofa for relaxing at the end of the day or Sunday afternoon naps. The black framing wall and ceiling grid breaks up the length of the room and provides ambient lighting.   especially enjoyed standing in the middle of the room and admiring the views through both the front and rear walls infilled with glass for bringing nature inside. Behind one sofa are the stairs to the ground floor.

This view of the ivy covered bank outside the dining area is a perfect illustration of biophilic design, a movement whose aims are the creation of spaces that are in harmony with, and connect to, nature. I recently completed a CE course on biophilic design to renew my architectural license and learned more about the biophilic principles that connect us to the natural world to improve our physical and mental well-being. Most of the examples were of interiors that featured living “green” walls. Imagine how different this space would be if the original Owner had opted for a concrete retaining wall instead of this living sloped wall covered in ivy! I stood before the wall just after morning fog had lifted and silently thanked him/her felt for this peaceful view.

The ground level includes a media room and storage areas. The outline of the concrete flooring underneath the deck above creates a warm weather room for games. 

Tranquil setting along the Tuckahoe River for panoramic views; peace and privacy from the siting of the house “of the hill”; outdoor rooms of the second floor deck that spans across the house and the ground floor’s concrete terrace; main floor primary suite with two other bedrooms ensuites on the third floor; contemporary style with Swiss chalet roof forms; all this and close proximity to Easton. I believe Frank Lloyd Wright would agree that this hill and house live together, “each the happier for the other.” The listing agent told me an agent had shown the house to a native Swiss who loved it, but you don’t have to be Swiss to be intrigued by this unique house that has been totally renovated and is fully furnished!

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For more information about this property, contact Melissa Tippett with TTR Sotheby’s International Realty at 410-280-5600  (o), 410-241-7409 (c) or [email protected] .For more photographs and pricing, visit https://www.sothebysrealty.com/eng/associate/180-a-df210824131810858986/melissa-tippett ,“Equal Housing Opportunity.”

Photography by Moses George Cohen, 202-688-8581, [email protected],

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Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

Today’s house is a story and a half house Cape Cod design that has the elements of this popular style: compact floor plan, symmetry in plan and elevation; side gable walls, and windows flanking the front door and single dormer windows. The white lap siding is accented by the blue shutters, entry door and the sidelight panels.  

I have written before of my being a history buff who can’t resist pulling over to read historic markers and I am especially interested in ones that provide information about demolished properties. I learned that the neighborhood in which today’s feature is located was once the property of Admiral Franklin Buchanan, who was the first superintendent of the Naval Academy. Unfortunately, “The Rest”, his three story frame house was demolished but its name lives on as a street name for this subdivision along the Miles River. 

Not all of the houses in the neighborhood are waterfront properties like this house is. The rear elevation of the house opens up to tranquil views of the Miles River through a variety of windows and doors. At the main level, the sunroom’s  wrap-around windows and French door, the dining room’s sliding doors and bay window and the kitchen’s triple windows provide views up and down the river. The double window units at the second floor offer bird’s eye views of the river. 

The double garage has extra space for lawn and garden maintenance and a ramp to the pair of exterior door for easy access.  

The spacious deck is bordered by steps to the deep lawn. The deck spans across the house and is a great space for warm weather relaxation or al-fresco dining. The giant Magnolia tree is poised and ready to burst into bloom as a harbinger of spring. It was easy for me to linger during my tour to appreciate the site’s peace and privacy and the tranquil view of the river’s opposite shore with views of mature trees that hide other houses.

From the pier, I appreciated the house’s massing with its center story and a half wing flanked by one-story wings, the curves of the shoreline’s high bank and how the grouping of tall mature trees provide unobstructed winter views of the river.

The pier and dock are reminders that boating weather will soon return. This tranquil vista from the pier of the outline of trees on the opposite shore with only one house in sight was soothing after my hectic morning.

The front door opens into a center hall with a direct vista through the house’s  sliding doors to the lawn and the river beyond.  The beautiful wood floors and the light gray walls and white trim flow throughout the main floor rooms. I admired the simple charm of the wood stair treads without a runner. The double doors opposite the stairs lead to a bedroom/sitting room. 

This flexible space is by day a cozy sitting room but at night its sleeper sofa can accommodate guests with an adjoining bathroom for an ensuite. I admired how the door to the bathroom is aligned with the bathroom’s window for views of the landscape instead of a wall. I love vintage posters, and this poster for Dionis Gran Spumante Champagne portrays a jester kneeling next to a bottle of champagne holding up a glass is a great focal point for the room. 

The spacious bathroom has a tiled shower with a glass wall to extend the space.  The ladder style towel rack is a great solution for a room with a small amount of space for wall mounted towel racks. The pocket door is also a great choice since a standard door would open against either the shower or the lavatory. I especially liked the angled mirror and how it reflects the window’s view. The color palette of light blue walls, subtlety veined top of the off-white lavatory cabinet and the light gray flooring would please any guest.

On the other side of the stair hall is the spacious living room. Built-in millwork around the front window has a mix of open shelves for books, family memorabilia, etc. and the cabinets below can store games and DVDs for watching TV by the fire.  The window treatment for the front and side windows provides both seated privacy and sunlight above. I was delighted to discover more vintage posters-this  trio features the iconic French lipstick “Le Rouge Baiser” (red for kissing). 

The vista from the living room reveals the open plan living-dining kitchen floor plan through the dining room’s bay window for views of the river.

 

The stylish dining room’s contemporary pendant lighting fixture, wood table anchored by the large kilim and the texture of the chairs centered on the water view through the bay window create a charming eclectic look for memorable meals. The sliding doors on the left lead to the deck and the French doors on the side wall lead to the sunroom.

My fave room was this sunroom, a delightful indoor-outdoor space with the exterior door to the deck. The wrap-around windows filters sunlight deep in the room so the room’s deep blue color is not overwhelming. 

 From the sofa, one can see the river as it bends around the shoreline. The desk and chair are set up for computer work and for taking breaks from the computer to savor the landscape and river views.  

The spacious kitchen is the last part of the “L” shaped open plan living-dining-kitchen. I have specified these bar stools and I can attest to their comfort. I also  liked how here their stained wood finish contrasts with the white cabinets. Locating the row of built-in cabinets next to the R/F created deep  space for storage.  It reminded me of a kitchen I designed for a client who had two complete sets of Deruta ceramic dinnerware and serving pieces that would have filled this wall! The door at the rear wall leads to the laundry and two-car garage.

The light gray walls, wood flooring and stainless steel appliances highlights the white cabinets.  The  glass fronted upper cabinets and open shelves keep the most used items close by the  cook. Even though the kitchen is large, the tight work triangle of sink, dishwasher, range and R/F  are just a few steps from each other. I have several coil baskets and this reddish one adds a  splash of color to the island.

The stairs to the second floor end at a short hall that connects the primary suite with a guest bedroom ensuite. The primary bedroom spans the depth of the house so it has charming interior architecture with knee walls and sloped ceiling.  The single dormer at the front of the house, a side window at the gable wall and a double window in the shed dormer at the rear of the house provide abundant sunlight. The room’s dimensions easily accommodates the king-size bed and an office/sitting area at the rear wall. The area under the eaves has a door for access to storage. 

The primary bath has a furniture style dual lavatory cabinet with a combination of drawers and an open shelf for storage. The glass door of the shower expands the space. I usually prefer individual framed mirrors but I liked how the tall and long mirror reflects the rear wall’s two windows’ view of the landscape and water.

The guest bedroom ensuite is set up for a young guest who I imagine enjoys falling asleep in the cozy nook created by the deep wall’s shed dormer. Opposite the nook is the bathroom and next to the bedroom is a storage room. Removing the wall would expand the suite and create a play space for children.

Quiet subdivision due to no through street, waterfront property, classic Cape Cod architecture, main level open plan living-dining-kitchen open plan; main floor bedroom ensuite and two second floor bedroom ensuites; sunroom with wrap-around windows for panoramic water views; spacious waterside deck for relaxing with family and friends; all this and a location between the amenities of Easton and St. Michaels!

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 For more photographs and pricing, contact Cornelia C. Heckenbach, Associate Broker at Long and Foster Real Estate, 410-310-1229 (c),  [email protected]  or visit www.stmichaelsmdwaterfront.com,  “Equal Housing Opportunity.”

Aerial Photography by Robert Thayer, 443-253-1716

Exterior and Interior Photography by Vince Ferrari, 301-395-3245

Historic photograph from the Talbot Historical Society Collections that was included in the 11-20-2015  Talbot Spy article “Talbot Historical Society Project Rewind: Finding Civil War Admiral Buchanan’s “The Rest”.

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

 

Since my most recent Houses of the Week have been historic or Eastern Shore vernacular houses, I felt as the Monty Python movie proclaimed “ and now (it’s time) for something completely different” this week. Rock Hall is always a happy hunting ground for me and this house’s blend of contemporary and craftsman styles caught my eye. The charming coastal cottage was designed by the original owners who built the house in 2014 and the current owners bought the property in 2019. Instead a row of houses aligned along the street, this house and the houses on each side of it are set back from each other to maximize both views and privacy.  At the rear of the property are marshes and Swan Creek and this house’s views of the water expand as one goes from the first floor to the third floor.   

 

The large mature tree frames the view of the front elevation in its setting of lush landscaping and wood fencing for privacy. After parking my car in the gravel driveway lined with granite edging, I walked up a stone path between orange wattle trees and the trunks of crape myrtle trees waiting for their summer debuts. The path becomes a terrace of larger stones that ends at the wide wood steps to the front porch that spans across the front of the house. I especially admired how the house blends into the landscape with the earth tones of the  exterior paint colors the Owners selected and the deep red color of the porch’s metal shed roof and the eave returns at the top floor’s roof were perfect accents. The craftsman roof bracket and the contemporary large round window create a delightful juxtaposition of styles.

The side elevation is long due to its ground floor containing three car bays and another bay for a workshop. To downplay its length, the elevation is enhanced by projections of a box bay and a shed roof and enhanced by the texture of the exposed concrete panels, the vertical board and batten siding, the box bay’s grid of trim and the lattice grid enclosing the porch crawl space. The walls of warm taupe, the white trim bands and the deep red color of the shed roof over the garage doors create an appealing composition.

The side elevation’s box bay grid wraps around the rear elevation’s first and second floors to break up the massing of the house’s rectangular footprint. The French railings add an interesting layer to the elevation and I admired how the posts are aligned with the doors’ frames so the dark pickets disappear into the glass for clear views from within. The pair of sliding doors at the second level and the deck at the third level offer panoramic views of Swan Creek.

The deep rear yard ends at the marshes that blend into Swan Creek and the wooden fence provides privacy. It will soon be spring and the deciduous trees will once again offer shade and color. The row of large light colored stones defining a planting area resembles a giant necklace stretched along the ground. 

My old farmhouse has only a brick stoop instead of a proper front porch so I envied this spacious porch. The fixed shutters cleverly break up the wall of board and batten siding and creates a coastal look. The pale salmon floorboards and the deep blue rocking chairs between a wooden table create a cozy outdoor room for winding down at the end of one’s workday.

The house’s layout is a coastal design with the porch steps breaking up the stair run to the first floor above the garage level. The front door opens into a foyer with an alcove for a hall tree to leave jackets and totes behind. At the top of the stairs is a wonderful diagonal vista of the living-dining room. The large space easily accommodates the sectional sofa and ottoman with the long coffee table whose top was originally a pair of wood doors. The round ottoman is made of thick rope adds great texture.  The windows and French doors are oriented to the view of Swan Creek through the adjacent sunroom. 

One of the current owners uses the sunroom as a studio with the telescope providing breaks for watching wildlife. The thin black French rail disappears into the landscape beyond. One side of the room leads to a small deck with a grille for summer cooking. If one wanted a separate dining room, it would be easy to linger over dinner in this space with twilight views over the water turning into the expanse of the night sky lit by stars.

The box bay in the living room surrounds the fireplace that is a focal point with its stone cladding between built-in cabinets. The high square windows provide privacy and also free up the wall for books, art or family photographs.

Another diagonal vista connects the living-dining area to the kitchen. The storage unit utilizes the space under the landing of the stairs and the mirrored inset wall captures the reflection of the French doors’ glass. Above the wall is a clever “found” stained glass panel that perfectly infills the stair landing’s wall and filters light into the stairwell. The vintage barber’s chair is now retired to its special place in the corner of the room. 

As I moved into the kitchen area, I realized the warm wood top of the island was made from reclaimed pine with a beautiful patina that accents the off-white cabinets. I admired the backsplash’s grid that echoed the house’s exterior walls, the granite countertop and the glass fronted parts of the upper cabinets.  

The stainless steel appliances, playful cabinet pulls that add a touch of whimsy and the geometric patterned rug complete the kitchen’s stylish look.

The second floor has a bedroom at the front of the house with the row of high square windows creating the perfect backdrop for accommodating a range of headboard heights. The built-in storage cupboards flanking a window seat provide ample storage. I especially liked the twig style wood nightstands, the serene colors of the peach and gray bed linens and the light green walls.

The second floor bath is accessed from the hall next to the front bedroom and does dual duty as a powder room for guests. I loved the contemporary touches of the translucent lavatory vessel bowls, the dark, sleek fittings and the fab tile in a truly inspired zig zag pattern that visually expands the space. Opposite the lavatory cabinets are the shower with a front glass wall and the closet for the stack washer and dryer. The window in the toilet compartment has both a frosted panel and a stained glass insert to provide both light and privacy.

The stairs from the second to the third floor opens onto this space that is a perfect office with a work table directly below a skylight for visual breaks from one’s computer. For breaks of another kind, a mini fridge and microwave in a corner are standing by.

As much as I admired the second floor bath, the third floor bath exceeded my expectations. I loved the interior architecture of the white high knee wall and the ceiling with a skylight, juxtaposed with the dark tones of the flooring, cabinetry, tub base and the black fixtures. (Who would have thought of a black toilet and tub) but here, both are in harmony with the interior design. I especially liked the tub surround’s irregular and cascading pebble cladding. The bathroom has pocket doors at each side wall for access from both bedrooms on this floor.

The front bedroom also has great interior architecture from the high knee walls and sloped side ceiling. The focal point of the huge round window beckoned me and as I stood before it, I appreciated how the top rail of the lower section of the thin blinds blocks the view of the road below so all I saw were the roofs and landscape of Rock Hall. The off white interior design and the round window is very Zen; even this light sleeper could imagine nodding off very quickly in this serene space. 

If I were a lucky guest, I would hope to claim this spacious bedroom with knee walls and sloped ceilings that create a calming sense of enclosure. With the adjacent deck, this space becomes an indoor-outdoor ensuite. There is ample sunlight from the skylight, single window and French doors that lead to the deck.

The deck becomes a warm weather sitting room for the third floor bedroom and on summer nights I would be tempted to set up a portable bed and sleep under the stars! 

Location in one of the Upper Shore’s most picturesque villages, close to the sandy beach along the Chesapeake Bay, Marina, shops and the famed Mainstay for live music. Stylish Craftsman/Contemporary architecture surrounded by lush gardens with fencing for privacy; coastal floor plan that begins with a ground floor three-car garage and workshop area; second level with the open plan living-dining-sunroom-kitchen, bedroom and bath/laundry; third level with two other spacious bedrooms, office area and hall bath. A full front porch for relaxing plus panoramic bird’s eye views of Swan Creek and wildlife in the marsh and Swan Creek from both the second floor’s sunroom and the third floor deck. This house offers both privacy and peace- as I walked through the rooms, I was struck by how quiet the house was, due to the 2 x 6 exterior walls and extra insulation. All this and a Rock Hall location too! 

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For more information about this property, contact Cindy Genther, 2024 Top Sales Producing Associate for the Bay Area Association of Realtors, at Rock Hall Properties Real Estate, 410-639-4003 (o), 443-480-1953, (c) or [email protected]. For more pictures and pricing, visit www.rockhallproperties.com ,  “Equal Housing Opportunity”.

Photography by Steve Buchanan Photography, 301- 996-7295

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.