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May 9, 2025

Chestertown Spy

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6 Arts Notes

City Lights, Small Town Vibe: Academy Art Museum Gala Goes Industrial-Chic on May 3

April 18, 2025 by Academy Art Museum Leave a Comment

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Get ready, Eastern Shore—on Saturday, May 3, the Academy Art Museum is shaking things up with what promises to be the boldest gala of the year. This year’s celebration trades the traditional gala for an unexpected twist: a massive industrial warehouse just north of Easton. For one night only, the raw space will be transformed into a sleek, city-loft-style venue that’s all about modern edge and creative flair.

The inspiration? The razor-sharp realism of photorealist legend Richard Estes, whose exhibition Urban Landscapes, opens at the Academy on May 1. His intricate urban scenes spark a sense of connection and astonishing detail—setting the tone for a night that blurs the line between art and experience.

Setting the sonic mood is none other than local music legend Kentavius Jones, debuting an original soundscape composed exclusively for the event. Expect grooves that echo with the energy of city streets, crafted to perfectly complement Estes’ visual world.

It wouldn’t be a true Academy Art Museum night without incredible food. Gourmet by the Bay returns with a menu as bold and creative as the art on display—yes, you’ll want to Instagram it before you take a bite.

“We wanted this year’s gala to feel like a turning point—a moment that reflects the scale of our ambition and the energy of our community,” said Charlotte Potter Kasic, Director of the Academy Art Museum. “It’s not just a celebration of what we’ve done, but of everything we’re about to do. This is a party with purpose.”

More than a night of music, art, and conversation, this gala fuels the museum’s mission: supporting dynamic exhibitions, hands-on classes for all ages, and year-round programming—while keeping admission free for everyone.

So mark your calendar, put on something fabulous, and prepare for an evening that’s as visionary as the art that inspired it.

For information and to purchase tickets, visit here.

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Filed Under: 6 Arts Notes

Tapestry: Art by AAM instructors – A celebration of creativity and community by Daedelus Hoffman

March 4, 2025 by Academy Art Museum Leave a Comment

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At the Academy Art Museum, art is not just something to passively observe—it’s something to actively make, fearlessly explore, and generously share. Tapestry: Art by AAM Instructors, on view from December 19, 2024, through March 16, 2025, highlights the work of over 20 AAM faculty members, the dedicated teaching artists who bring creativity to life in our studios and classrooms.

This exhibition offers a glimpse into the personal artistic practices of AAM’s instructors, showcasing the diverse range of styles, mediums, and perspectives they bring to both their own work and their teaching. Whether through painting, drawing, sculpture, or ceramics, Tapestry underscores the deep connections between making and mentoring. These are artists who do not simply teach technique—they model what it means to sustain an active creative practice, to experiment, and to evolve.

Curated by Bernard Dellario, AAM’s Education Coordinator, the exhibition reflects the creative strength of the museum’s teaching artists. In his role, Dellario helps cultivate and support AAM’s growing community of instructors while also being a dedicated teaching artist himself. An accomplished painter, instructor, and president of the Washington Society of Landscape Painters, Dellario exhibits widely across the Eastern Shore and Washington, D.C. regions. He saw Tapestry as an opportunity to celebrate the artists who shape AAM’s studio program and to invite the community to experience their work in a new way.

“Diversity was the catalyst,” he said. “I knew full well that a call for work to showcase their talents as artists and teachers would bring in their best work. I was not disappointed.”

AAM’s studio art instructors come from a range of backgrounds, each with their own specialty, approach, and artistic philosophy. Some are painters steeped in traditional techniques, refining their skills over decades, while others work in experimental media, pushing boundaries and embracing new ways of making. Many of them exhibit nationally and internationally, while others are deeply embedded in the fabric of the Eastern Shore arts community. What unites them is a shared dedication to teaching and an understanding that learning is a lifelong process, one that is reciprocal—teachers learn from students as much as students learn from teachers.

Although the exhibition brings together a wide range of artistic styles and mediums, Dellario noted how naturally the works exist alongside each other. “I didn’t see any common themes, but somehow, the variety of work goes very well together,” he reflected. This sense of cohesion speaks to the power of a shared creative environment, where different perspectives and aesthetics can exist in dialogue with one another.

For many visitors, Tapestry offers a deeper understanding of the instructors they may know primarily as teachers. Seeing their work in a museum setting reinforces that these instructors are not just educators but practicing artists, engaged in the same processes of exploration, experimentation, and refinement that they encourage in their students.

“Throughout the exhibit, I’ve heard students talking about the work, stepping out of their classes to take a closer look,” Dellario said. “On occasion, I’ve even taken students into the gallery to point out specific techniques or how an artist handles certain things. It’s been very informative to all.” This connection between the classroom and the exhibition space creates a dynamic learning environment where art is not just something discussed in theory but actively practiced and examined.

Certain works stood out to Dellario for their craftsmanship and unique perspectives. “Naomi Clark-Turner’s painting of farm equipment in a shed caught my attention for its strong value contrast and composition. It’s one of those paintings that engages you from across the room despite its small size,” he said. “I also really appreciate Loretta Lohman’s pottery boxes—the surface texture is so tactile and beautiful, and the piece invites curiosity about its meaning.” These pieces exemplify the attention to detail and creative problem-solving that AAM instructors bring to their students.

This exhibition is not just an opportunity to admire art—it’s an invitation to participate in the culture of making that defines the Academy Art Museum. Tapestry highlights the incredible talent of AAM’s teaching artists, and it also serves as a reminder that anyone can take part in the creative process. The Academy offers a wide variety of classes for all skill levels, from painting and drawing to ceramics and printmaking, allowing visitors to learn directly from the artists featured in this show.

Taking a class at AAM is more than just learning a technique; it is about becoming part of a community. The museum’s teaching artists are mentors who guide students through the creative process, helping them to find their own artistic voices. Many students return year after year, building relationships with their instructors and with each other, forming a network of support and shared inspiration. Whether someone is picking up a paintbrush for the first time or refining their skills after years of practice, AAM provides an environment where growth is encouraged, and curiosity is rewarded.

Visitors are encouraged to explore Tapestry during museum hours and take the next step in their own artistic journey. The Academy Art Museum is open Monday, Wednesday, Friday, Saturday, and Sunday from 10 a.m. to 4 p.m., and on Tuesday and Thursday from 10 a.m. to 7 p.m. Admission is always free.

For more information on Tapestry: Art by AAM Instructors and upcoming studio art classes, visit www.academyartmuseum.org or stop by the museum. Creativity is waiting—you just have to step inside.

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Filed Under: 6 Arts Notes

Academy Art Museum announces new Trustees

February 5, 2025 by Academy Art Museum Leave a Comment

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AAM Board of Trustee Members. From Top Left: Don Wooters, Robert Fogarty, Ron Flohr, Christine Martin, Chuck Mangold, Jr., Chris Sadler, Shelton Hawkins, Denise Grant, Sue Bredekamp, Joanne Lukens, Elizabeth Spurry, Holly Townsend, Karen Shook, Jazmine Paxon, Brenda Fike, Deputy Director Jennifer Chrzanowski, Ann Scully, Board Chair Donna Alpi, and Director Charlotte Kasic. Not pictured: Sanford Cardin, Jim Harris, Elizabeth “Diz” Hormel, Victoria Gomez Lozano, Chris Walsh, Daniel Weiss

The Academy Art Museum has elected four new Trustees to serve on its Board. The Museum is thrilled to welcome Ron Flohr, Denise Grant, Victoria Gomez-Lozano and Holly Townsend. Board Chair Donna Alpi says, “We are delighted to have this talented group of Trustees join our Board and are grateful for their commitment to furthering the Academy Art Museum’s mission of making art available to everyone on the Eastern Shore.” These Trustees collectively bring a wealth of financial and business expertise and non-profit Board experience.

Ron Flohr has more than 20 years of experience in financial services. As a Certified Financial Planner, his professional focus is to work with individuals and businesses to identify their financial goals and customize investment and wealth management strategies to achieve them. An active community member, Ron has served as president of the Easton Waterfowl Festival, a past board member of the Easton Rotary Club, the Mid Shore Early Learning Center, a past board member and president of the Talbot Country Club and a past board member and commodore of the Chesapeake Bay Yacht Club.

Denise Grant is an accomplished executive with over 30 years of experience developing strategies and implementing solutions in the corporate, public and social impact sectors around the world. She is the founder and CEO of Overlook Strategies and serves as a Senior Advisor to Heidrick & Struggles, the leadership and organizational consulting firm. She has worked with boards and CEOs of some of the world’s most high-profile NGOs and social impact organizations on a wide range of matters. She has led broad organizational assessments and initiatives, counseled boards regarding governance and other matters, and conducted top leadership succession projects. Early in her career, Denise practiced law for nearly a decade, including as an attorney with Morgan, Lewis & Bockius LLP. Denise is a Presidentially appointed Trustee of the Fulbright Foreign Scholarship Board which governs the nearly $500 million global Fulbright cultural and educational diplomacy program. She has served as a Trustee at Transylvania University and on numerous Boards of Directors including the Wolf Trap Foundation for the Performing Arts, the Bryce Harlow Foundation, the Avalon Foundation and the East Tennessee State University Development Corporation.

Victoria Gomez Lozano was born and raised in Chihuahua, Mexico and has lived in the United States for 16 years. She is a graduate of Tecnologico Espiritu Santo, Guayaquil, with a Banking and Finance degree. During her career in the fields of banking and industry, she realized her desire to serve the people in her community as a leader, mentor and interpreter. Now in her sixth year as a member of the Chesapeake Multicultural Center’s administrative staff, she serves as their Hispanic Outreach Coordinator. Victoria has served on the board of Talbot County Public School’s Education Foundation Board, Talbot Mentors, and the East-End Neighborhood Association. She is currently the Board Chair of the Department of Social Services.

Holly Townsend is the founder of the Townsend Group, a company that provided a variety of services designed to increase non-dues revenues for associations and foundations. These services included sales, custom research, video production, cross-platform media programs, creative services and financial services. As its President and CEO for 35 years, she set the company vision, made all strategic decisions, and oversaw all business operations. Her clients included scores of national blue-chip associations and foundations in a wide range of industries and professions including housing, education, healthcare, the arts, design, architecture and urban planning, engineering, criminal justice, and law. Holly previously served on the Board of Trustees of the Avalon Foundation.


As the premier art museum on the Eastern Shore of Maryland, the Academy Art Museum presents high-quality exhibitions and a full range of art classes for visitors of all ages. Past exhibitions have featured artists such as James Turrell, Robert Rauschenberg, Mark Rothko, Pat Steir and Richard Diebenkorn. The permanent collection focuses on works on paper by American and European artists from four centuries including recent acquisitions by Graciela Iturbide and Zanele Muholi. Arts educational programs range from life drawing lessons to digital art instruction, and include lunchtime and cocktail hour concerts, lectures and special art events, as well as a Fall Craft Show celebrating 26 years. AAM also provides arts education to school children from the region and is accredited by the American Alliance of Museums. To continue the institutional movement of offering free public programming and to give barrier-free access to art, AAM eliminated admission fees in 2023.

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Filed Under: 6 Arts Notes

The Academy Art Museum presents “Hoods Up Happy Hour” events

January 30, 2025 by Academy Art Museum Leave a Comment

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This winter, the Academy Art Museum is pleased to offer an exceptional opportunity to explore the art of automobiles with two exclusive “Hoods Up Happy Hour” events, taking place on Monday, February 3 and Monday, March 3. Because the Museum is closed to the public on Mondays, this is a rare opportunity for guests to get a behind-the-scenes look and  immerse themselves in the world of Bugatti while enjoying curated tours, insightful commentary, and the chance to view some of the most iconic cars in history in an intimate, relaxed setting. 

The Museum’s highly anticipated exhibition, Bugatti: Reaching for Perfection (on view through April 13, 2025), celebrates the legacy of one of the most prestigious names in automotive history. Known for its fusion of cutting-edge engineering, exquisite design, and unparalleled craftsmanship, Bugatti has long represented the pinnacle of automotive perfection. The exhibition showcases a stunning collection of Bugatti automobiles and art designed and crafted by members of the Bugatti family. 

The tours will feature expert commentary from our curator and automotive specialists, offering valuable insights into the mechanics and engineering behind the cars, with particular focus on the unique features of each model. Guests will get a literal look under the hood, allowing them to appreciate the cars’ engineering and their artistry. This is the perfect opportunity to engage with experts, ask questions, and deepen your understanding of both the artistic and technical aspects of Bugatti’s legacy in an informal, yet enriching atmosphere. Whether you are a long-time automotive enthusiast or simply interested in learning more about the intersection of design and engineering, the evening will offer a fascinating perspective on a truly iconic brand.

Beyond the exhibition and expert-led tours, the “Hoods Up Happy Hour” offers a welcoming atmosphere for socializing and networking. Guests will enjoy a selection of light bites and beverages while mingling with fellow attendees in a beautiful, relaxed setting. With an elegant atmosphere and engaging conversation, these events offer the perfect balance of culture, entertainment, and relaxation in Easton’s premier art venue, and promise to be evenings to remember.

For more information and to register, please visit academyartmuseum.org.

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Filed Under: 6 Arts Notes

Academy Art Museum announces members’ exhibition 2024

November 29, 2024 by Academy Art Museum Leave a Comment

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The Academy Art Museum is pleased to announce the annual Members’ Exhibition Award Winners. The Museum’s annual Members’ Exhibition invites artists to submit imaginative, traditional, and experimental works in any medium. Each year, the Museum invites a judge to award prizes which are awarded on the evening of the opening reception. Many of the pieces in the exhibition are for sale, and can be purchased at the Museum. The exhibition is open through December 29, 2024.

This year’s juror is Robyn Asleson, Curator of Prints and Drawings at the National Portrait Gallery, Smithsonian Institution, as this year’s judge. Her exhibition projects at the Portrait Gallery include “Brilliant Exiles: American Women in Paris, 1900–1939” (2024), the team-curated “Kinship” (2022), and “Portraits of the World” (2016-20), a series of spotlight exhibitions featuring individual portraits on loan from international museums, placed in conversation with works from the Portrait Gallery collection. She was also venue curator for the exhibition “John Singer Sargent: Portraits in Charcoal” (2020).

To provide a premium viewing experience and extended timeframe for the exhibition, the Museum is hosting the exhibition at the Waterfowl Building. Hours for the exhibition are Tuesday and Wednesday, 10 am – 4 pm, Thursday (December 12 and 19) 10 am – 7 pm, Friday, 10 am – 4 pm, Saturday and Sunday, 12 – 4 pm. Closed Mondays, November 27 and 28, and December 24 through 26.

AWARD WINNERS:

Best in Show, in honor of Lee Lawrie: Anne Sharp, Eunice, 2021, oil on canvas

Arielle Marks Award for Best Print (sponsored by Richard Marks and Amy Haines): Judy Wolgast, Snowscape, 2024, aquatint

Best in Ceramics: Karen Bailor, Worldview, 2024, ceramic

Best Eastern Shore Scene (sponsored by Working Artist Forum): Stephen Walker, Smoke Break, 2024, oil on canvas

Best in Fiber (sponsored by Holly Jackson and Jason Moore): Susan Fay Schauer, Ajidamoonh, 2024, fiber

Best Landscape (sponsored by St. Michaels Art League): James Sharf, Normandy Coast Gale, 2024, oil on canvas

Best in Mixed Media (sponsored by Holly Jackson and Jason Moore): Bridget Sullivan, Ancestral, 2024, mixed media

Excellence in Photography (sponsored by Tidewater Camera Club): George Sass, Rolling Tide, 2024, photography

Jane Shanahan Hill Offutt Memorial Award for Best Painting: James Plumb, Three Garlics and Water, 2023, oil on canvas

M. Susan Stewart for Best in Wood: Terance John, Memories #19, 2024, wood

Nancy South Reybold Award for Contemporary Art
: Susan Thomas, Serengeti, 2024, collage/acrylic

Samuel Sands Sporting Art Award in honor of Samuel “Sammy” Stevens Sands, Samuel Stevens Sands Jr., and Samuel Stevens Sands III (sponsored by Page Sands): Liam Swadler, Dock Dog, 2024, digital photography

Trippe Gallery Award for Best Work on Paper (sponsored by Nanny Trippe): Barrie Barnett, Sheep in Winter, 2024, pastel on paper

Images
1) Best in Show: Anne Sharp, Eunice, 2021, oil on canvas
2) Nancy South Reybold Award for Contemporary Art: Susan Thomas, Serengeti, 2024, collage/acrylic
3) Best Eastern Shore Scene: Stephen Walker, Smoke Break, 2024, oil on canvas
About the Academy Art Museum

As the premier art museum on the Eastern Shore of Maryland, the Academy Art Museum presents high-quality exhibitions and a full range of art classes for visitors of all ages. Past exhibitions have featured artists such as James Turrell, Robert Rauschenberg, Mark Rothko, Pat Steir and Richard Diebenkorn. The permanent collection focuses on works on paper by American and European artists from four centuries including recent acquisitions by Graciela Iturbide and Zanele Muholi. Arts educational programs range from life drawing lessons to digital art instruction, and include lunchtime and cocktail hour concerts, lectures and special art events, as well as a Fall Craft Show celebrating 27 years. AAM also provides arts education to school children from the region and is accredited by the American Alliance of Museums. To continue the institutional movement of offering free public programming and to give barrier-free access to art, AAM eliminated admission fees in 2023.

Location: 106 South Street, Easton, Maryland
Hours: Tuesday-Wednesday 10:00 am to 4:00 pm, Thursday 10:00 am to 7:00 pm, and Friday-Sunday 10:00 am to 4:00 pm. Closed Mondays and Federal holidays.
Admission: Free

Currently on view at the Academy Art Museum: The Subversive Thread, Sporting: Frank W. Benson’s Waterfowl Prints. Opening December 6, Bugatti: Reaching for Perfection.

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Filed Under: 6 Arts Notes

Step into elegance: The Bugatti Exhibition Preview Gala Reception

November 23, 2024 by Academy Art Museum Leave a Comment

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This December, the Academy Art Museum invites you to relive the glamour and innovation of the Jazz Age at the Bugatti Exhibition Preview Gala Reception. Held on December 5, 2024, from 6 to 8 pm, this black-tie-optional affair offers an unforgettable evening of refinement, artistry, and celebration.

Your night begins with a red-carpet welcome, where a photo opportunity ensures you can capture this moment of timeless elegance. Inside, indulge in signature cocktails inspired by Bugatti’s era of innovation and enjoy hors d’oeuvres crafted to reflect the exquisite artistry of the exhibition.

As a gala guest, you’ll be among the first to experience Bugatti: Reaching for Perfection. This exclusive preview, with timed entry, offers a rare and intimate look at Bugatti’s masterpieces of design and engineering. From the aerodynamic lines of the Bugatti Type 35 to the unparalleled craftsmanship of the marque’s other iconic creations, the exhibition celebrates the visionary artistry that has defined the Bugatti name for generations.

The evening will also feature a live performance by Hill Chamber Music, whose elegant repertoire provides the perfect accompaniment to the gala’s sophisticated ambiance. As the trio performs, the museum’s atmosphere will evoke an era when style, precision, and creativity reigned supreme.

The Bugatti Exhibition Preview Gala Reception is not just an event—it’s a celebration of the extraordinary. Much like Bugatti’s legacy, the evening is a testament to the fusion of art, design, and innovation that continues to inspire.

Tickets for this exclusive event are limited. Reserve yours today and join the Academy Art Museum in unveiling the timeless allure of Bugatti while supporting the museum’s mission to bring world-class art and design to our community.

For more information and tickets, visit academyartmuseum.org/events/bugatti-preview-gala.

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Filed Under: 1A Arts Lead

2024 Craft Show Featured Artist: Laura Baring-Gould

October 24, 2024 by Academy Art Museum Leave a Comment

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Laura Baring-Gould,

AAM Interim Director Jennifer Chzranowski and Museum Trustees Diz Hormel (2024 Craft Show Chair) and Donald Wooters (2024 Craft Show Co-Chair) sat down with Laura Baring-Gould, the Featured Artist at this year’s Craft Show, to learn more about her creative practice and how it has evolved from large-scale public sculptures to craft, which Baring-Gould describes as “discrete, beautiful hand-held things.” The interview has been edited for length and clarity.  

Diz: The Museum is thrilled to have you as our featured artist for the 2024 Craft Show. Can you tell us about your background and how it influenced your work?  

LBG: As a young child I grew up in Costa Rica, Mexico, New York and California, and in the early 1970’s we settled in Alaska. As a family, we built cabins surrounded by cottonwood trees, started alternative schools, and spent time surrounded by infinite awe. Alaska was also a place where I experienced incredible community as people organized to protect wild landscapes and codify indigenous land rights. Trying to weave these together, I imagined an adult life as a scientist who would preserve wonder through public policy, so I studied sciences in college. But I felt greater connection and endurance in my art classes. Once I relocated to the East Coast I saw that people living in dense cities needed awe too. Art felt like an important and immediate way to do that.  

 

Jenn: How did you set out to do that as a young artist? Tell us more about your early work.  

LBG: At first, I gave myself five years to figure it out – I was waitressing, teaching, working as an artist assistant –and making things outdoors responding to the landscapes I could work in: lines of fallen birch trees or hundreds of pine-cones woven across a woodland park. These site-specific pieces led to large-scale work inside museums and galleries – illuminated boats suspended above 11 tons of salt in a converted wooden chapel, or a giant beehive made of wound straw in a museum abutting historically rich agricultural farmland. These projects were ambitious and required the help of many. Some were artists, others were not – but together we were transforming materials to make these magical spaces for people to understand something about the places they were in, but to also feel connected and inspired. As my practice developed, I was invited to create more substantial temporary and permanent public artworks. These pieces also required close collaboration with the local community so the work could truly be public as it honored what people feel connected to and care about.  

Don: You’ve done a lot of casts of pears. Tell us about the outdoor giant bronze pear. 

LBG: The public artwork I am most well-known for is a twelve-foot bronze pear that celebrates Dorchester, a community in Boston where the Clapps’ Favorite pear was first grown in 1830. It’s a cross pollination between the Bartlett, known for its hard skin, and the Flemish Beauty, resulting in a tough -skinned pear that inside was sweet as butter – which basically describes everybody who lives in that community.  

Diz: Can you tell us about your method for casting pears? 

LBG: The first pieces I made of pears were not ripe ones. I instead took slumping pears far past their prime and encased them in ceramic. After a two-week process of building up the ceramic, I fired pieces in the kiln, burning up the pear and leaving a hollow space in the ceramic. This negative space – the mold –gets filled with molten bronze. Once cool, I would crack off the ceramic to reveal the original pear –the same thing, but totally different. The entire process amazed me. 

My studio was filled with rotting fruit and small bronze objects when I was asked to propose a project for Dorchester. I obviously could not create a monument of a rotten pear, but I knew that the humble fruit and its stewardship might really resonate.  

Don: So how did you pivot to craft?  

LBG: While I was making these bigger artworks, I was also finding my own refuge in making smaller pieces that transformed impermanent objects into talismans of experience.  

I participated in my first Craft exhibition almost 20 years ago and loved the immediate connection people had to these bronzes and how they felt in the palm of a hand. I loved, too, the idea of taking ephemeral objects – sewn children’s caps, bamboo baskets, fish traps, or even a magnolia branch with a bird’s nest, and casting them into permanent metal.  

Diz: These pieces are so tactile. You just want to hold them. They have a solidity and permanence, but at the same time appear so delicate. How do you bring out that juxtaposition?  

LBG: It is important to hold something and have it affect you. It’s important that people at weddings have held my pieces and shared them with those they love, and equally important that others have died holding these pieces as well. While I am 

thankful for the bigger public artworks that exist out in the world, these objects can be with you.  

Jenn: It seems that your background in science continues to inform your work. Is that accurate?  

LBG: 100% yes – in every aspect of my work: I am a naturalist who collects and studies pears from heirloom trees and am amazed by the material science of bird’s building their nests. The entire process of casting, metal work, and patina are also all about material technology and experimentation. 

Jenn: After working with artists and organizing AAM’s Craft Show for the past 6 years, I know that the circuit can be grueling. What is it about craft shows that keep you coming back? 

LBG: I have been able to continue to be an artist because I unlocked the world of craft and found this essential community that values artists’ work. I love sharing my work with people, from small shows to the Smithsonian. And it is the work of organizations that hold it together – places like the Academy Art Museum– that bring people together to share stories and experience something special. The people who want to share the story and the people who want to receive the story. Even just one connection, one moment of magic. And that’s how I think lives are changed, right?

 

 

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Filed Under: 1A Arts Lead

The Academy Art Museum Presents Two Fun-Filled Fall Events at the 2024 Craft Show

October 18, 2024 by Academy Art Museum Leave a Comment

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The Academy Art Museum is pleased to invite the public to two exciting events as part of the Academy’s 2024 Annual Craft Show, including a Masquerade Ball Preview Event Party and Sunday Brunch.

Join us on Friday, October 25 from 5:30-9 pm, for an evening of fashion, fun, and early access to the shopping event of the season! Dress in costume or chic cocktail attire for our extraordinary Masquerade Ball. Bring your own mask or purchase an original meticulously crafted by your favorite local artists, including Rosemary Cooley’s beautiful print-making masks, Diane DuBois Mullaly’s playful designs, as well as an assortment by other local talent, available as an exclusive add-on to your ticket. Enjoy delectable food, listen to lively music, and grab a signature cocktail as you walk around in style to shop from an array of over 60 exhibitors in a variety of mediums! Get ready – the inspiration is bound to strike with two distinct fashion shows in the Waterfowl building and the Academy Art Museum, showcasing unique creations by this year’s fiber wearable and jewelry artists!

As the weekend comes to an end, relax at our Sunday Brunch on October 27, 10 am-1 pm, catered by Piazza Italian Market. Delight in fresh pastries, fruit, a selection of frittatas, salad, freshly brewed coffee, and a Bloody Mary and Mimosa bar. This is the perfect opportunity to wind down after a weekend of excitement or to get a head start on Sunday’s shopping. 

Tickets to the Preview Party and Sunday Brunch include weekend-long admission to the 2024 Craft Show. The hours for the Craft Show are 10 am-5 pm Saturday, October 26, and 10 am-4 pm Sunday, October 27. Patrons will be able to vote for their favorite artist for the Craft Show People’s Choice Award which will be given on Sunday morning to the artist with the most votes. Admission to the Craft Show is $10 per Museum member and $12 for non-members, which includes a Craft Show tote bag. For tickets to Craft Show events and classes, please visit academyartmuseum.org.

 

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Filed Under: 6 Arts Notes

Academy Art Museum currently accepting members’ submissions for “Small Originals: Members’ Exhibition 2024”

October 14, 2024 by Academy Art Museum Leave a Comment

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Left to Right: God’s Little Secret by Nancy South Reybold, Peony by Jane Selden, Cooper’s Cousin by Susan Schauer John

The Academy Art Museum is excited to present to its members the opportunity to exhibit in “Small Originals: Members’ Exhibition 2024,” on view November 22-December 29, 2024. As one of the most anticipated events of the year, this exhibition draws upon The Academy’s pool of talent, offering a unique opportunity for local artists, students, and teachers to exhibit a broad range of work side-by-side. This is the occasion for members to showcase their accomplishments, celebrate with family and friends, and exhibit work in front of a wide selection of local and visiting collectors during the festive holiday season!

Participation in the Member’s Exhibition is not juried. Anyone with a current membership, valid through the end of the year, may enter one artwork. Accordingly, all entries are eligible for awards. This year brings new awards in Fiber and Sporting Art, along with our traditional roster of awards for painting, prints, ceramics, and wood pieces. Artists must register for the exhibition using the online form on the exhibition’s webpage by October 21, 2024 and may choose to offer their artworks for sale during the exhibition.

The Academy Art Museum is pleased to welcome Robyn Asleson, Curator of Prints and Drawings at the National Portrait Gallery, Smithsonian Institution, as this year’s judge. Her exhibition projects at the Portrait Gallery include “Brilliant Exiles: American Women in Paris, 1900–1939” (2024), the team-curated “Kinship” (2022), and “Portraits of the World” (2016-20), a series of spotlight exhibitions featuring individual portraits on loan from international museums, placed in conversation with works from the Portrait Gallery collection. She was also venue curator for the exhibition “John Singer Sargent: Portraits in Charcoal” (2020).

To ensure all members who are interested in participating can enter, submissions will be limited to maximum dimensions of 13 x 13 inches for 2D artwork and 15 x 15 x 15 inches for 3D artwork. A maximum 2-inch frame may be used for 2D artwork. Art drop-off will take place November 12 and 13, Noon-4 pm and on November 14, 4-7 pm at the Waterfowl Building.

A public reception will be held on Friday, November 22, 5-7 pm, and we encourage all to attend for award announcements and refreshments. This is a great chance for attendees to meet the artists and to purchase unique, original art by local talent to take home for the holidays!

 

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Filed Under: 6 Arts Notes

Charlotte Potter Kasic is the Next Director of the Academy Art Museum

September 25, 2024 by Academy Art Museum Leave a Comment

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Charlotte Potter Kasic

The Board of Trustees of the Academy Art Museum is delighted to announce the appointment of Charlotte Potter Kasic as its next Director.

Currently serving as Executive Director of the Barry Art Museum at Old Dominion University in Norfolk, Virginia, Charlotte is an accomplished administrator and visual artist, whose medium is glass. During her tenure as Glass Studio Manager and Programming Director at the Chrysler Museum of Art in Norfolk, she pioneered the field of performance glass. An avid educator, Potter Kasic founded the Assistantship Program at the Chrysler and taught glass and new media courses at universities and summer programs such as Penland School of Crafts and Oxbow School of Art.

Daniel Weiss, Museum Trustee and Search Committee Chair, notes, “We are extraordinarily fortunate to have Charlotte as our new Director.  She is an experienced and accomplished leader with an exciting vision for the future of the Academy Art Museum.” He added, “During the search, the Museum benefited from the exceptional leadership of Interim Director Jennifer Chrzanowski and we are well positioned for the years ahead.”

In accepting this position, Potter Kasic said, “As I step into this new role, I am particularly excited to reconnect with my artistic roots and engage with the Museum’s studio programs and to foster an enhanced  dynamic relationship between classes and the exhibition schedule. This holistic approach to programming is integral to my vision for expanding the Museum’s educational and cultural impact. I am also thrilled by the Museum’s ambitious and thought-provoking programming, such as the upcoming exhibition, ‘Bugatti: Reaching for Perfection’. The Museum’s trustees and staff are passionate, dedicated and committed professionals. Together, we will ensure that the Academy Art Museum continues to thrive as a center for creativity, education, and community engagement.”

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Filed Under: 1A Arts Lead

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