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May 9, 2025

Chestertown Spy

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Arts Design with Jenn Martella

Design with Jenn Martella: The (second) empire strikes back

April 17, 2025 by Jennifer Martella Leave a Comment

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The distinctive mansard roof and bay windows showcase this home’s Second Empire style charm.

As I was searching for this week’s feature, I had just finished watching Season Five of “The Parisian Agency” so France was on my mind and this house spoke to me. The Second Empire style became popular in France during the reign of Napoleon III, France’s “Second Empire”. Its origin was actually in the 17th century designs created by the French architect Francois Mansart, for whom the distinctive roof style is named. The mansard roof with dormers, flared, shallow eaves and the bay window are the most recognized Second Empire design elements that made this style the dominant one in America between 1860 and 1880. 

Historic photograph revealing the house’s traditional architectural elegance

Some Second Empire houses also had full front porches, but this house’s front porch has been modified and infilled with windows. The  mansard roof with its very low upper pitch and steep lower pitch is both stylish and functional since the steep lower pitch enables the entire third floor level to be fully usable.

The rear addition with flared box bay and decorative fretwork adds a touch of whimsy.

Slate was the common roofing material for the steep lower slope of a mansard roof but this house’s horizontal cladding in a contrasting color to the siding accentuates the roof’s form well. I admired the two-story bay wall projection that was probably a later addition and how the upper portion flares out to create a box bay with decorative fretwork. 

The rear addition contains the kitchen and the laundry on the main floor and two bathrooms on the second floor. This clever solution both upgraded the house and also consolidated the plumbing layout for cost savings. I was sorry that my visit was too early to see the majestic Magnolia in bloom! 

Formerly a porch, now a cozy four-seasons room with easy-care brick flooring.

The original front porch now has a new life as a four seasons room with easy care brick flooring and the mix of furnishings creates a cozy space for relaxation.

The elegantly curved stairway provides a grand entrance steeped in southern charm

When I opened the front door, the magnificent curved stair reminded me of historic houses in Charleston or Savannah. I especially admired the detailing of the two curved lowest treads, how all the stained wood treads stand out against the white risers and the contrast of the dark and sinuous cap rail. I especially liked how the sunlight from the side window cast its shadow onto the wall and the jamb of the front parlor’s doorway and the window on the second floor cast another shadow that caught the curvature of the cap rail. 

Original entry door with transom and sidelights highlight intricate trimwork.

The front entry’s original door, transom and half paneled/half glass sidelights with layers of molding and trim introduces the extensive trimwork found throughout the house. Even though my tour was on an overcast day, the entry had ample daylight from the large window at the side wall and the door surround. The period pendant light fixture was the perfect touch.

Beautifully detailed stair molding showcases craftsmanship from another era

Before exploring the house, I walked around the stairs to fully appreciate the curvature of the stair’s molding and the interlocking decorative trim underneath the treads. I especially admired the dual curvature of the stair trim below and the cap rail above.

Open-plan living creates harmony throughout parlor, family room, and dining room

From the stair hall, a doorway leads to the front parlor with its focal point of the stunning stained oak mantel infilled with a mirror and iron firebox cover. Three windows wrap around the corner of the room and a wide wall opening connects the parlor with the adjacent family room and dining room to create an open plan. The family room and dining room are separated by  a partial wall of storage with a center opening framed by partial height columns and pilasters at each corner. The nine and half foot ceilings make the main floor rooms look larger than they are.

Family room bay window provides panoramic views and a perfect breakfast nook.

The family room’s focal point is the wide bay wall projection infilled with windows for panoramic views of Trappe’s Historic District. The space is furnished with a tabletop chess board and two chairs but its solar orientation would also make it a charming spot for breakfast. The wall opposite the sofa and coffee table can easily accommodate a wall mounted TV. The beautiful white moldings and cornices tie the room together to complement the wall color. The window and door openings are trimmed in fluted trim with rosette corners throughout the house.

Deep shelving adds dimension while the mirror reflects light from the beautiful bay window

Standing between the columns in the partial height wall, I savored how the family room’s bay wall projection is on axis with the identical bay wall projection in the dining room. The beautiful wood antiques add warmth to the space and the round dining table is the perfect choice to complement the angled wall. The deep open shelves on the side wall can easily accommodate platters or serving pieces.  The console table is tucked into the recessed wall space with accent lamp lighting  and the mirror above becomes another window. 

Modern kitchen upgrades blend seamlessly while also elevating the historic home

Passing through a doorway in the family room, I discovered the powder room, kitchen and laundry areas located in the addition to the house. The window next to the sink overlooks the rear yard so the cook can watch children at play and the side exterior door leads to a porch at the side street for ease of unloading groceries from one’s car. The kitchen’s stylish upgrades of stainless steel appliances, white cabinets and black granite countertop and full backsplash that surround the center island appealed to this cook.  The breakfast table and chairs  are next to another stair to the second floor.

Functional mudroom with rear yard access, ideal for busy families.

The laundry/mud room has an exterior door that leads to a small deck overlooking the rear yard. If one needed counter space, the dryer could replace the sink and a shallow shelf or table could be placed under the high window.

The staircase’s elegant geometry leads naturally to spacious upper floors.

Instead of using the kitchen’s single flight of stairs to the second floor, I returned to the entry hall’s original staircase so I could again admire its geometry of curves and angles.  Another full flight of stairs leads to the third floor.

Light-filled front bedroom with high ceilings and ample daylight.

The second floor of the original part of the house contains a center hall between two back to back large bedrooms and a smaller bedroom across the hall. Both of the large bedrooms have windows on two exterior walls for ample daylight. The nine foot ceilings create very pleasing spatial volumes.

Rear bedroom with windows on two sides offers brightness and coziness.

The space on either side of the parlor’s chimney contains closets for each large bedroom and this bedroom at the rear of the house also has a window on each exterior wall for ample daylight.

Charming small bedroom-office with panoramic views from the box bay.

It is easy to be charmed by diminutive spaces and the small bedroom has a big asset in its box bay infilled with windows for panoramic views of Trappe’s Historic District.  At the left side of the box bay is a recessed area that could accommodate a crib for a nursery or a desk for an office.

Spacious family bathroom featuring wood wainscot and plenty of storage.

The second floor’s two baths are side by side and this large one with its wood wainscot, lavatory cabinet and lower cabinets for storage is a great family bathroom so the smaller bath could be a dedicated primary bath.

Staircase to the unrenovated third floor—a blank canvas for future imagination.

The view from the third-floor stair landing highlights the continuous railing that unwinds itself down to the first floor.  The third floor has not been renovated and is a blank canvas awaiting one’s imaginative use-playroom, teen hangout, studio long-term storage…? The views through the windows of the rooftops and treetops is truly a bird’s eye view!

Even though the Lakeside development offers new homes, I much prefer Trappe’s Historic District gems like this Second Empire-style three-story house that offers both historic charm and a newly renovated condition. Its location equidistant to both Oxford and Easton in a quiet town has great appeal. High ceilings, extensive moldings, beautiful wood floors and the stunning staircase with its continuous handrail that rises to the third floor, open plan parlor-family room-dining room and newly renovated kitchen offers a great layout for family living. The deep corner lot also has a detached storage building and the house’s furnishings may be purchased separately from the real estate!


For more information about this property, contact Bob Shannahan with Shoreline Realty, Inc,  at 410-822-7556 (o) 410-310-5745 (c) or [email protected].  For more photographs and pricing, visit www.shorelinerealty.biz , “Equal Housing Opportunity”.

“Where Land and Water Intertwine, An Architectural History of Talbot County, Maryland”, by Christopher Weeks, with Contributions by Michael O. Bourne, John Frazier, Jr., Marsha L. Fritz and Geoffrey Henry.

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Design with Jenn Martella

Chesapeake Lens: “Watchful” By Wesley Finneyfrock

April 12, 2025 by Spy Desk Leave a Comment

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An American eagle keeps watch over the Blackwater National Wildlife Refuge

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Archives, Chesapeake Lens

Looking at the Masters: Madonna and child in a garden

April 10, 2025 by Beverly Hall Smith Leave a Comment

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Images of Mary and Christ are plentiful, as are images of them sitting in a rose garden. Since most of the population from the Middle Ages onward through the 17th and 18th centuries could not read, religious painting and sculpture served to educate the congregation of believers. Iconography was a significant aspect of painting and sculpture. Images and everyday objects related to the stories helped the faithful remember the lessons as they went about their daily lives.

latm410251-Madonna-in-a-Rose-Bower-1440-42.jpg

Images of the Madonna and Child in a rose garden were popular. “Madonna in a Rose Bower” (1440-1442) (20”x16”) (oil and tempera on wood panel) by German painter Stefan Lochner (1410-1451) is a stunning example. Mary and the infant Jesus sit on a red velvet bolster in an enclosed garden. The ground is a green carpet of perfectly patterned leaves. Young angels lean on the garden bench, looking adoringly at the mother and child. Four angels play music on a harp, a small organ, and two stringed instruments. Roses grow on a square metal trellis behind them.  Above them, two angels hold a gold cloth of honor, placed on thrones of kings and for Mary, Queen of Heaven. God, the father, and a white Dove, the Holy Spirit, look down on the scene from above. God, hands raised in blessing, and Jesus on Mary’s lap, represent the Holy Trinity. Lochner used gold lavishly to represent the heavenly space.

White roses are symbols of Mary’s purity, and red roses are symbols of the Passion of Christ. Jesus holds an apple which has been given to him by one of the young angels. Apples represent the original sin of Adam and Eve in the Garden of Eden, and Mary and Christ are referred to as the second Adam and Eve, who take away sin. Strawberry plants in the garden produce both flowers and fruit at the same time, a reference to Mary as both a mother and a virgin.

Mary’s broach and crown are examples of a painting technique used by Lockner, en rende-bosse, or encrusted enamel. In the 14th Century, encrusted enamel was applied to create three-dimensional pieces. Mary’s broach and crown are encrusted with gemstones. The figures on Mary’s broach are a virgin and a unicorn, both symbols of purity.

“Madonna and Child and Saints in an Enclosed Garden” (1440-1460)

“Madonna and Child and Saints in an Enclosed Garden” (1440-1460) (47”x58”) (oil) (National Gallery of Art) is by Netherlands painter Master of Flemalle, who has been identified as Robert Campin (1375-1444). He was a contemporary of Jan Van Eyck and teacher of Rogier van der Weyden. He settled in the Belgian city of Tournai in 1405-06, and he was a free master in the Guild of Goldsmiths and Painters. He purchased a house in Tournai in 1408. Campin was a popular artist who received numerous commissions from individuals, guilds, the Church, and civic groups. Records show he owned several houses, bought city bonds, and invested in mortgages. He was a prosperous artist. 

“Madonna and Child and Saints in an Enclosed Garden” illustrates the tradition of symbolism in religious art along with increasing interest in depicting nature. The Madonna and Child are again placed in an enclosed garden, a reference to Mary’s purity. Although she does not wear a crown, she is placed on a golden throne with an elaborate cloth of honor behind her. Her feet rest on a brocade pillow. She wears the traditional blue robe, this time a rich dark blue with a gold embroidered border. Jesus reaches for a quince held out to him by St. Barbara. The quince is a symbol of the resurrection of Christ. It also is associated with love and fertility. From the Greeks onward, it was presented to the bride on her wedding night. 

St. Barbara, dressed in red, was an early Christian saint. Her father was a rich pagan who locked her in a high tower to protect her from the world. While he was away, she had three windows built into the tower instead of the two he had planned, because the number three was the symbol of the Trinity. She secretly had become a Christian. Discovering her conversion, the prefect of the province had her dragged from the tower and tortured for several days. Her wounds healed overnight. Ultimately, she was beheaded. Her tower stands behind her in the garden.

In the corner of the painting, St Catherine of Alexandria, Egypt, reads an illuminated manuscript. She is the patron saint of students, teachers, and librarians. The daughter of the governor of Alexandria, Catherine went to the Emperor Maxentius to protest when he began the cruel punishment of Christians. He threw her into prison and subjected her to numerous tortures intended to kill her. She was fed by a dove from heaven, and her wounds were tended by angels. After these attempts failed, Maxentius ordered her run over by a wheel with spikes. The wheel broke. Catherine then was beheaded. The sword used to behead her and a broken wheel are placed at her feet in the painting.

John the Baptist, in the bright green cloak, stands beside the throne and holds a lamb. He traditionally is painted with unruly hair and a beard, representing his time spent in the wilderness. Under his green cloak he wears only a short tunic of animal skins. The lamb is the symbol of Christ. John the Baptist recognized Christ when he baptized Him, and called him “Lamb of God.” 

St Anthony of Egypt, the elderly bearded man in the dark gray robe and leaning on a cane, was raised as a Christian and preached the teachings of the Church for many years. He later became a semi-hermit, living a life of solitude and prayer. He helped to found several monasteries. He overcame numerous temptations visited on him by the Devil. St Anthony may have been a pig herder at one time. However, he ate no meat during his lifetime. The pig, a symbol of the sin of gluttony, most likely is a reference to his surviving all the Devil’s temptations. St Anthony is the patron saint of swineherds, domestic animals, and monks. 

The paradise garden contains several other flowering plants. Behind St Catherine is a purple iris, also known as a sword lily. The purple iris traditionally represents nobility.

“Virgin Among Virgins” (1475)

“Virgin Among Virgins” (1475) (43’’x67’’) (oil) was painted by the Master of the Legend of St Lucy, whose known work is dated between 1480 and1510. Although his name remains unknown, several paintings have been attributed to this Netherlandish painter from Bruges. Mary and Christ are seated in the center of a partially enclosed rose garden. The cloth of honor behind her is held by two angels. Her feet rest on a black and gold cushion, and she wears the traditional blue gown and a crown. The background is a panoramic scene of the city of Bruges. Dating for the Master of St Lucy’s paintings is often determined by the continued construction of the tower of Bruges.

Eleven virgin saints are presented in a semi-circle around Mary and Christ. Next to Christ is St Catherine, her red gown decorated with wheels and her hand raised as she marries Christ. Opposite is St Barbara in blue velvet with her black cloak decorated with towers. She too became the mystical bride of Christ. Mary Magdelene kneels on the ground, her bare feet toward the viewer. She holds the gold pot of ointment with which she anointed Christ’s body in the tomb. 

St Agnes, in a red gown, is seated on the ground and holds a lamb. Her beauty was so extraordinary that she had many suitors, all of whom she refused, claiming she was mystically married to Christ. She holds up the wedding ring. Imprisoned and tortured, she was sentenced to death by burning. The fire went out, and a soldier cut off her head, or stabbed her in the throat. 

St Ursala, who wears a gold and black brocade gown and is reading a book, undertook a pilgrimage from Britain to Rome with 1000 virgins. Having traveled as far as Cologne, they were attacked by Huns and killed with arrows. The point and fletching of an arrow can be seen under her gown, and an arrow rests on the border of the painting.

Three martyred saints sit behind St Agnes. St Cunera, in a light blue gown, holds a small cradle and an arrow. A companion of St Ursula, she may have survived the massacre of the virgins on the pilgrimage. St Agatha, in black, holds a pair of tongs with her breast. As a Christian she also refused to marry, and her suitor was so angered that he had her breasts cut off to disfigure her. St Margaret of Antioch, in white, was to be cast into the belly of a dragon sent by the Devil. She raised her cross and the dragon’s skin parted, freeing her. Behind her, in the distant landscape, St George kills a dragon.

“Virgin Among Virgins” (detail)

Behind St Ursula and dressed in white is St Apolonia, who holds a tooth in tongs. St Lucy, in green, holds a plate on which her two eyeballs are placed. She was beautiful and much desired, as were all the female saints, but she refused all marriage proposals because of her faith. According to several stories, she plucked out her own eyes to prevent men from desiring her, or their removal was part of her torture.  The last saint, who has not been identified, holds a crown and a bell. Behind them are red roses, an apple tree, a grape vine, and a quince tree.


Beverly Hall Smith was a professor of art history for 40 years. Since retiring to Chestertown with her husband Kurt in 2014, she has taught art history classes at WC-ALL and the Institute of Adult Learning, Centreville. An artist, she sometimes exhibits work at River Arts. She also paints sets for the Garfield Theater in Chestertown.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Looking at the Masters, Spy Journal

Design with Jenn Martella: Highfield

April 10, 2025 by Jennifer Martella Leave a Comment

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Highfield’s historic charm nestled in the tranquility of five acres.

As an ardent proponent of historic preservation, I am honored that today’s feature is “Highfield”, the home of Michael and Ann Bourne since 1989. Michael Bourne was a giant in the field of historic preservation in the Mid-Atlantic region. His research and drawings of historic structures and sites in Kent County are now housed in the Historical Society of Kent County. His dedicated effort to document for future generations almost every historic building in Chestertown led to the formation of the non-profit group, Preservation. Inc. and many philanthropic projects that rescued houses in danger of demolition. His book “Historic Homes of Kent County”, and his contribution to “Chestertown Maryland, An Inventory of Historic Sites”  are my go-to sources for background information on historic houses I have featured. 

The five-acre site offers peace and privacy and includes two outbuildings; one is outfitted as a wood-fired brick oven bakery and the other is a storage building for lawn maintenance.

A beautifully landscaped brick path leads to the welcoming front door.

The design of this special house was a labor of love for the Bournes; his degree in architecture and the couple’s fondness for the vernacular farmhouses of Suffolk County in England they had admired during many visits to that region resulted in the design of this one of a kind house. Details including the steep pitched roof, “catslide” roof slope at the east end of the house, the tall, articulated chimney, multipaned windows,  and enclosed front entry reflect their sophisticated taste and serious attention to every detail. The landscape design was also carefully considered and includes multiple perennial beds, including this border along the brick path leading to the front door which starts with daffodils in the spring and moves to columbine and yellow lilies in late summer.  

I especially admired the careful attention to the window arrangement and how the sill of the tall and wide window above the stair aligns with the headers of the first-floor windows.

Elegant rooflines and dormers blend effortlessly with nature.

Every elevation of this house is beautiful; I loved the massing of the main roof’s hip to the vent just below the roof’s ridge and how the lower pitched roof over the screened porch also provides a wide dormer for the primary suite above. The house’s colors of nature in shades of brown blend into the surrounding trees.

Stunning rear elevation with two-story windows and a quaint mini-conservatory.

The rear and other side elevation is my fave one-the wide two-story window dominates the façade and the trim caramel color accentuates each window and the eaves for contrast against the light lap siding. From my weekly viewing of the BBC House and Garden Network’s architect George Clarke, the Brits love their conservatories and the corner wrap around windows of the mini-conservatory await the flowering plants of spring.

 

The custom front door opens to a foyer flooded with natural light.

The custom front door opens into a foyer tucked under the stairs and the “bridge” that links the two bedroom ensuites on the second floor. The tall triple window unit above the stairs floods the stairs with sunlight and the warm butter yellow walls with the stained floors and trim enclose a cozy space for relaxing. 

Throughout the house, the Bournes’ art collection includes many of their daughter’s works, including  four miniatures in the Great Room.

Unique wrought iron hardware reflects the home’s blend of antiques and reproductions.

The front door’s artisan unique wrought iron hardware introduces both the antique and reproduction hardware found throughout the house.

The living room’s Hamstone fireplace and thoughtful window design exude warmth and elegance.

The spacious living room with its warm blue walls, custom grey carpet, and red accents spans the depth of the house. Its focal point is the Hamstone fireplace surround with detailed beveled trim that forms a gentle ellipse around the opening to the firebox’s lining of oversized brick. Front and side windows offer direct views of the landscape and the pair of French doors between full height windows leads to the adjacent screened porch. 

A perfect retreat for seamless indoor-outdoor living with charming flagstone flooring.

The deep screened porch is a wonderful outdoor room for easy outdoor-indoor flow to the living room and to the terrace. I admired the flagstone flooring with a brick border and the slight elliptical shape of the header trim of the screened panels. The dark structural framing and the darker screened framing contrasts with the warm white of the ceiling planks.

Soaring two-story windows fill the Great Room with light and landscape views.

To fully appreciate the spatial height of the two-story Great Room, I walked back under the one-story foyer and then into the magnificent two-story space with its triple height windows in a 5-4-3 vertical pattern overlooking the landscape. As I was mesmerized by the window wall, the side warm butter yellow wall appeared to change color as a ray of sun cast its shadow on the wall. This room blends historic elements and the Bournes’ love of British vernacular design with energy efficiency of the window wall’s SSE solar orientation combined with a six-zone heating system results in low energy bills!

The earth tones of the interior design are enlivened by accents of color in the deep slate blue freestanding Danish stove and the discreet Runtal panel radiator underneath the window sill along with the red wing chair. Having written an article several years ago about Chestertown’s talented Deep Water Landing’s artisan chandeliers, I recognized their work floating above in the space.

The dining room features simple elegance with a stunning landscape view.

The simple elegance of the wood table, Windsor chairs, and centerpiece of a copper container of African violets between two brass candles sets the scene for memorable meals with views through the window wall to the landscape beyond. I especially liked how the window muntins cast a checkerboard of shadows onto the tabletop. 

Wide wall openings create an open, airy flow between the Great Room and kitchen.

The very wide wall opening between the Great Room and the kitchen creates an open plan for easy flow between the rooms. The spacious “U” shaped kitchen with another row of cabinetry behind the island appealed to this cook. I admired the contrast of the butcher block countertops for chopping or kneading bread with the darker cabinetry, another accent of red in the walls and another Deep Water Landing artisan chandelier.

An open, sunlight-filled kitchen with beautiful contrasts of cabinetry and countertops.

I admired the openness of the kitchen with the pairs of double units at the rear wall and the triple window overlooking the adjacent mini-conservatory. The space is full of sunlight since there are no upper cabinets!  I much prefer the Brits’ preference of a pantry off the kitchen that this layout has.   =

 

A practical mudroom with easy-care flooring, wrap-around windows, and convenient storage.

At the corner of the house next to the kitchen is a space divided into a stairwell to the basement and a mud room. The wrap-around window sills will soon be adorned with colorful plants.  The stairwell leads to the full basement with a large ante-space, laundry room, playroom, and workshop.

The mud room’s easy care quarry tile flooring flows through the space with pegs for jackets, a bench for taking off one’s Wellies after time in the garden and an umbrella stand. At the end of the mud room is a powder room. The exterior door leads to large stone pavers that curl around the corner of the house to the terrace and the screened porch.

 

A quiet, cozy study nook perfect for work and relaxation.

The study at the front of the house is accessed from both the Great Room and a short hall between the kitchen pantry and a row of kitchen cabinetry. The projection of the pantry’s side wall creates a nook in the study. With a cushion and pillows, the nook becomes a cozy break from computer work or a spot for the cat to bask in the sunlight from the quad window unit. The ergonomic chair, leather-topped mission oak desk and the bespoke millwork are all one needs in a quiet corner study for work.

A knee-high bridge connects the bedroom ensuites that takes advantage of the large window wall and high ceilings

The bridge at the top of the stairs is offset from the front wall to allow open space for the large window at the front of the house to provide daylight for both the foyer below and the bridge. The windows at the rear wall of the Great Room below also provide daylight and views of the landscape. Beyond the bridge is a wall opening leading to the guest ensuite and the stairs to the second guest ensuite on the third floor.

The primary bedroom is a serene retreat with ample natural light and elegant furnishings.

The primary bedroom is located over the spacious living room at the west end of the house. The tray ceiling, triple unit window on the west and  two double unit windows provide ample sunlight throughout the day. The room’s focal point of the canopy bed with its delicate leaf pattern, the oversize chair for reading before bedtime, the antique wood pieces and the expanse of the teal carpet create a restful retreat. Since the laundry is located in the basement, there is a laundry chute hidden in the built-in cupboards next to the chimney wall behind the bed.

Primary bath features luxurious fittings and elegant tile accents.

The five piece primary bath has two lavatory cabinets with hexagonal Kohler sinks, an over-sized soaking tub, shower, and toilet and is handsomely accented by deep blue Portuguese delft tiles, several delicate watercolors, and  pots of plants.

Tranquil guest ensuite with charming reclaimed elements and serene color palette.

The second floor guest ensuite bedroom has serene light green walls and mix of wood, rattan, and upholstered furnishings. The mahogany closet doors for this bedroom were reclaimed from an antique armoire. A full bath and a dressing room with a laundry chute complete the ensuite.

Charming architectural details and vibrant décor bring character to the third floor bedroom.

The third floor guest bedroom has delightful interior architecture from the knee walls and the sloped ceiling. The spatial geometry creates chamfered corners for both the wood doors and trim. I admired the four-poster bed’s colorful bedspread and the wooden trunk that is now a stylish table. 

Pastoral views and colorful flower beds provide a peaceful outdoor haven within the landscape.

Walking around the grounds, I appreciated the pastoral views and marveled that this peaceful haven was only three miles from downtown Chestertown! I lingered on the terrace by the flower bed bursting with texture and color from the arrangement of low to tall plants and flowers that are  beginning to awaken from their winter dormancy.

 

As I strolled through the grounds of this five acre property and the rooms of this unique house, I felt I was visiting one of Great Britain’s National Trust properties.  ”Highfield” personifies the Bournes’ deep commitment to both preservation and their appreciation of Great Britain’s historic architecture. The Bournes’ attention to detail is evident in the planning of the gardens and every room of the house.  Details like the Hamstone fireplace, newel posts in the stairs, antique doors and antique hardware, stained floors and trim, etc., give the house its inviting warmth and unique character that make “Highfield” a rare gem. The outbuilding that is equipped as a bakery with a brick oven could be transformed into a charming guest house, but guests would be reluctant to leave this peaceful haven, only three miles from downtown Chestertown. Lucky indeed is the person who becomes the next steward of this magnificent property. My highest praise for “Highfield”-Bravissimo!


For more information about this property, contact Nancy McDonald McGuire at Maryland Heritage Properties , 410-778-9319 (o) ,443-480-7342 (c), or [email protected]. For more photographs and pricing, visit www.marylandheritageproperties.com/home , “Equal Housing Opportunity.” 

Contractor: Phillips Home Builders
Photography: Stephen Buchanan, Nancy McDonald McGuire, and Ann Bourne.
Aerials: Stephen Buchanan, buchananphotography.com

Selected botanical art by Atwater Designs, www.atwaterdesigns.com

“Chestertown Maryland, An Inventory of Historic Sites” , based upon an historic site survey conducted by Robert Neill, Michael O. Bourne, and Kathleen B. White, with additional survey information by Marsha Fritz, Robert J.H. Janson-La Palme and Peter Newlin

“Where Land and Water Intertwine”, An Architectural History of Talbot County, Maryland, by Christopher Weeks, with contributions by Michael O. Bourne, John Frazier, Jr., Marsha L. Fritz and Geoffrey Henry; published by the Johns Hopkins University Press and the Maryland Historical Trust.

The Historical Society of Kent County, www.kentcountyhistory.org, 301 High Street, Chestertown, MD, (410) 778-3499

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Design with Jenn Martella

Chesapeake Lens: “In Flight” By Wayne Zussman

April 5, 2025 by Spy Desk Leave a Comment

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And just like, they’re gone. Not to worry: they’ll be back.

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Filed Under: Chesapeake Lens

Looking at the Masters: Primavera 

April 3, 2025 by Beverly Hall Smith 1 Comment

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It is Primavera, or Spring in English. The term is derived from the Latin primus tempus. Spring began this year on March 20, and it will come to an end on June 20. Jonquils, forsythia, and cherry blossoms are beginning to bloom in Chestertown and surrounds.

 

“Primavera” (1487)

Sandro Botticelli (1445-1510), born in Florence, Italy, became one of the most renowned painters of the Renaissance.  His painting “Primavera” (1487) was commissioned by Lorenzo di Medici.  The work is tempera on a wood panel (80”x124”). Botticelli enlisted several Greek writers’ mythological sources for the painting, including Ovid, Virgil, Hesiod, and Plato. He also was influenced by the then popular philosophy of Neoplatonism as proposed by Marsilio Ficino (1422-1499). The Medici’s interest in Classical Greek and Roman literature led them to embrace Neoplatonism which valued the teachings of the ancients.  The Medicis sought to integrate Neoplatonism into the teachings of the Catholic Church. The Church did not agree or approve. 

“Primavera” (the coming of Spring) is not a depiction of any one story, rather it is a combination of many. The painting is read from right to left starting with Zephyrus, the god of the west wind, painted in cold blue. He represents the March wind. He chases and captures the beautiful wood nymph Chloris. She is dressed in a diaphanous gown, and her blond hair and gown are blown by the wind. She represents the beginning of Spring, a rose vine in her mouth. Zephyrus marries her and changes her into Flora, the goddess of Spring. As Flora, her hair is fashionably styled with a crown of flowers, and her dress is patterned with numerous flowers. 

She carries a large bouquet of white, red, and pink roses. The symbol of the three colors of roses often appears in Christian art. In the Old Testament Song of Solomon (2.1), the declaration “I am the Rose of Sharon, and the lily of the valley” establishes Mary’s identification with the rose. The rose is also called the queen of flowers, associating it with Mary as Queen of Heaven. The connection between Mary and the rose continued in the writing of many Medieval scholars. The rose was linked with Mary’s purity, glory, and sorrow. The white rose is a symbol of her purity; she often is referred to as the rose without thorns because she is without sin. The pink rose is a symbol of her joy at the birth of her Son, Jesus. The red rose is a symbol of her passion, when blood was shed by Christ’s sacrifice.  

Paintings in the Middle Ages and Renaissance often depicted Mary and other female saints in a rose garden, a paradise. The ground on which they stand is a Flemish millefleur (thousand flower) carpet design, often interpreted as paradise. The image is not intended to be realistic. The base color is a solid dark forest green with perfectly painted flowers of all seasons and types. According to one report, 190 plants and flowers are depicted in “Primavera,” of which 130 are identifiable.

The central figure is Venus, the goddess of love and beauty, with Cupid and the three Graces who often accompany her. Cupid is blindfolded and aims his arrow at one of the three Graces, who dance in a circle. Here, Venus represents the month of April. Fully clothed, she represents not earthly passion, but married women and motherly love. Her head is surrounded by the loose foliage of a myrtle tree. Hesiod described the birth of Venus as she arises naked from the sea and moves on land, clothing herself with the branches of a myrtle tree. The tree became sacred to Venus. Neoplatonists believed Venus ruled over both earthly passion and heavenly love, connecting this aspect of Venus with Mary. The goddess looks directly at the viewer, her hand raised in the peaceful gesture of welcome often seen in paintings of Mary.

The other trees forming the forest background are orange trees. The Medici crest contained five gold balls, and orange trees became symbolic in Florence of the Medicis. Venus’s bodice is decorated with gold chains decorated with flames. The flame was the symbol of St. Lawence who was martyred by burning. The painting was commissioned by Lorenzo (Lawrence) de Medici.

The three Graces were sisters who often accompanied Venus. Hesiod wrote that the three graces were Aglaea (Splendor), Euphrosyne (Joy), and Thalia (Good Cheer). Mercury, messenger of the gods is placed at the far left. He is dressed in red and wears winged sandals and carries a sword. Many scholars agree that he is modeled after Lorenzo di Pierfrancesco di Medici, cousin to Lorenzo the Magnificent. The painting was commissioned to celebrate his wedding. Mercury leads the entourage forward into the beauty of a new Spring.

“Springtime” (1872)

Although the story of Botticelli’s “Primavera” is still being discussed, Monet’s painting “Springtime” (1872) (12’’x16’’) (Walters Art Gallery, Baltimore) offers the viewer the quiet pleasure of Spring. It depicts Monet’s first wife Camille Doncieux who is reading in their garden at Argenteuil. The couple were married in 1870, and Monet frequently used her as a model. In fact, she was such a good model, Manet and Renoir also employed her.  Monet’s garden was a favorite background, enjoyed by him, his wife, and their son Jean. Madame Monet is dressed in a pink muslin dress, partly in shade and dappled by sunlight passing through the branches. 

 

Le Printemps (Springtime). Monet, Claude (French, 1840-1926). Oil on canvas, height 64.8 cm, width 80.6 cm, 1886. Purchased With a contribution from the National Art Collections Fund.

“Springtime” (1886) (26”x32’) was painted by Monet in his garden in Giverny. In an orchard of cherry trees, Monet’s 18-year-old step-daughter Suzanne Hoschede talks with his son Jean. The closeness of Monet with his family is evident in many of his paintings. Suzanne will become Monet’s second wife. 

This painting also demonstrates Monet’s advanced techniques in Impressionism. The integration of spring colors throughout the painting presents the viewer with a world filled with sunlight. His brushwork has become looser. The painting presents a field of sweet-smelling flowers, and the peace and comfort in the soft breeze of this spring day.

“Spring Bouquet” (1866)

“Spring Bouquet” (1866) (41”x32”) (Fogg Museum, Harvard University) is an early work by Renoir. The Impressionist style of painting outdoors (en plein air) was a new direction that emphasized how sunlight gave flowers a transient beauty. The still-life with flowers was a tradition with 17th Century Dutch painters who worked inside without the natural light of the Sun. As a student, Renoir had studied Dutch still-lives. Early in his career he was a porcelain painter. He chose a white Japanese vase with blue flowers to hold the bouquet, a tradition of Dutch painters and in keeping with the very popular Japanism of the French at the time.   

Renoir’s arrangement is casual and bountiful. Purple lilacs, white hydrangeas, and peonies are included. White and purple iris are at the top of the bouquet. Daisies poke their heads out around the edges. Four bunches of yellow cowslips, or perhaps primroses, draw the eye around the composition and form the necessary complement to the purple flowers. 

Instead of the using the dark, almost black background of Dutch paintings, Renoir has set his spring bouquet against a lightly speckled stone wall and on a light stone garden ledge. The sunlight produces the nuance of colors as it touches various petals in the bouquet. The bouquet casts a light gray blue shadow. Whether one knows the flowers or not, the viewer experiences joy, and serenity.

HAPPY SPRING 


Beverly Hall Smith was a professor of art history for 40 years. Since retiring to Chestertown with her husband Kurt in 2014, she has taught art history classes at WC-ALL and the Institute of Adult Learning, Centreville. An artist, she sometimes exhibits work at River Arts. She also paints sets for the Garfield Theater in Chestertown.

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Filed Under: Looking at the Masters

Design with Jenn Martella : Thinking inside the box

April 3, 2025 by Jennifer Martella Leave a Comment

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Serene home nestled on a picturesque peninsula.

This unique house, designed by its Architect/Owner, is sited on a narrow peninsula between the Honga River and the Chesapeake Bay. The 0.9 acre lot includes a dock with a boat lift across the entry road, a driveway that can accommodate two cars and a bayside outbuilding. The aerial shot illustrates the house’s simple form, but make no mistake, there is nothing simple about this house- it is simply elegant. Every vista and detail have been carefully thought out by thinking inside the box to create a harmonious whole.  

Since the Architect was his own client, he was free to incorporate minimalist design elements he always wanted into this house. He chose a metal roof to hear the sound of rain as it hit the metal; maple flooring instead of the ubiquitous oak;  “allthread” suspension steel rods and turnbuckles to support the entrance canopy and interior exposed steel structural elements. His finishing touch was the small balcony off the second floor where he could feel suspended in air as he savored mid-summer sunsets on the far horizon. 

Thoughtfully arranged windows enhance the home’s facade.

Before I went in for my tour, I admired the front façade’s carefully composed arrangement of large and small windows that identify the hierarchy of the functions within. The uniform color palette of shades of gray from the exposed foundation of concrete masonry units covered in dark gray plaster, lighter gray Hardie lap siding and the very light gray steel roofing makes the building seem larger than it is. 

Wall-to-wall windows and sliding doors provide breathtaking bay views from inside the home.

The rear elevation has spectacular views  of the Chesapeake Bay and is almost totally transparent except for the solid portion that covers the staircase to the second floor. The elegant grid of the large windows was carefully thought out to utilize stock picture windows and sliding doors from the Home Depot! The waterside outdoor rooms of the first floor’s deck that spans across the length of the house has steps to the lawn and the balcony at the corner of the second floor provides front row seats for the parade of small craft and freighters to and from Baltimore. The small accessory structure was reclad and reroofed to match the house.

High ceilings and crisp white walls reflect the sunlight dancing through the grid windows .

The Architect/Owner greeted me at the front door and even though I had seen the MLS pix, I was mesmerized by the living room’s spatial volume and the play of sunlight through the window grid onto the side wall. Both the detailing of the window wall with steel tubular columns and the minimalist window shades in their fully open position maximizes the view across the Chesapeake Bay to the far horizon.

Minimalist design maximizes spaciousness and light.

The expanse of white walls and ceiling reflect the sunlight on the walls and the beautiful maple flooring. The combination of the first floor being elevated above the grade and the high sill height of the front windows blocks the view of cars on the street. Except for the trim around the entry door, all of the doors are frameless and have latches instead of hinges. That detail and the windows framed in drywall instead of trim maintain the minimalist look. 

I admired the juxtaposition of the classic “Arco” light and the antique wood piece from Venezuela. The Architect/Owner told me he meticulously stripped and restored the treasured family piece so it now has pride of place in the living room.   I also admired the clever arrangement of holders arranged on the wall near the front door-so easy to drop one’s keys, etc. upon arriving home. The room’s soothing neutrals of the large kilim, the deep caramel seating that picks up the rug’s background color, pillows and the granite top that matches the kitchen countertop create a serene space for relaxing. 

Window grid casts creative shadows on bright walls.

The window wall grid wraps around the corner to offer a panoramic view with the bonus of delightful shadows cast onto the wall. The Swedish wood stove that accommodates vertical logs is a sculptural element and does not block the water view from its position diagonally across from the corner structure. I was quite surprised to learn from the Architect/Owner that what I thought was bespoke  low sleek cabinetry actually came from IKEA! The mix of the top open shelf and closed door provides great storage for DVD’s and I was lucky that one of my fave  Bach pieces was providing background music during my tour.

Triangular pendant lights elegantly frame the dining area.

The open plan living-dining-kitchen’s ceiling plane drops in height at the dining-kitchen area below the second floor loft. Another kilim anchors the glass tabletop and sleek modern chairs. The stylish triangular pendant lighting fixtures are by Fuschia and their transparency blends into window wall beyond.

Contrasting materials highlight the kitchen’s efficient layout.

The partial height wall separates the dining area from the kitchen and I admired the waterfall detail at each end that frames the white insert. The upper cabinets float just under the ceiling plane and their frosted panels both contrasts with the white panels of the other upper cabinets and also expands the space visually. The stairs with the treads’ pine grain contrasts with the monolithic look of the maple flooring and the white risers clearly define each step. 

Thoughtfully planned cabinetry and expressive granite counters elevate the minimalist kitchen.

This compact yet highly efficient kitchen also contains IKEA cabinetry and the Architect/Owner carefully thought out the cabinetry layout. He cleverly set an upper cabinet that is usually placed above a range over a base cabinet to house his “wall” oven above the range.  The stainless steel appliances, white cabinets and the veined granite countertops pleased this cook very much.

Recessed shelving adds functionality and visual depth to the hall.

Behind the core area of the kitchen and adjacent primary bath is a hall connecting the living room with the primary ensuite. The wall depth was designed to have a recess to accommodate the IKEA adjustable shelving units that are set on casters for ease of cleaning and/or moving. The high square windows provide both daylight and privacy. The break in the shelving units leads to the primary bedroom’s four-piece bath that is also a powder room for guests. The hall vista ends at the full height mirror set against the wall for added perspective.

Soft window treatments filter light into the peaceful primary bedroom.

The spacious primary bedroom spans from the front to back corners of the house. The soft window treatments allow sunlight to filter into the room while maintaining privacy. The kilim anchors the reading and writing area of the bedroom with the stylish woven chaise and IKEA desk with its wood pull down surface. I dearly coveted the stylish lamp with its striped base and mesh metal shade.

Low horizontal windows offer water views from the comfort of the bed.

The low cabinetry is a twin to the living room’s unit and the nightstands are also from IKEA. Sconces above the bed are mounted the perfect height for reading  and the simple right-angled uplights above add ambient light. The rear wall facing the water fills half the wall and the low horizontal window is set at the perfect height for a first look at the water each morning before rising to begin the day.

Primary dressing room offers maximized storage and natural light.

The spacious dressing room is outfitted with both a Closet Maid system and wood storage units with ample storage for two. The window tucked below the stair run adds sunlight and a view of the water.

Corner shower complements floating lavatory design.

The four-piece primary bath includes a corner shower and a tub. The IKEA shallow lavatory with a porcelain top and tiled high backsplash floats above the tiled floor that extends around the shower walls.

Seamless tile design visually expands the bathroom.

The mirror with a shelf below extends to the corner of the tub with ample storage for both lavatory and tub. The floor tile continues up and around the tub enclosure for a seamless look that expands the space visually.

Ascending the stairs reveals an increasingly expansive water view.

Retracing my steps back to the stairs, with each step upward I enjoyed an increasingly expansive view of the water, ending at the maximum view at the wide window with its sill just above the second floor landing.  I turned around to savor the angled framing like buttresses at the exterior window wall that were the source of the diagonal shadows on the living room’s wall. The Architect/Owner explained how the window wall at the landing is the only unit that was required to have tempered glass.

Symmetrical wrap-around windows provide panoramic views in the versatile room.

At the top of the stairs is a room with another wrap-around window at the corner that matches the living room’s corner unit for symmetry. A sliding door leads to a balcony for a bird’s eye panoramic view of the water, a fresh air break from work or a spot to enjoy spectacular sunsets. The room is currently used as an office-workout area but with some modification it could become a bedroom. Off the short hall from this room to the loft overlooking the living room is a large storage room that contains a stack washer/dryer and a full bath. 

Infinity balcony is the ideal retreat for unwinding and enjoying breathtaking sunsets.

The balcony is a perfect spot for a break from work, or for savoring the sunsets at the end of the work day.

Cozy loft with clever shelving for a functional workspace.

The loft area is furnished as a TV room with a grid of open shelving creating a partition separating this area from the drafting area beyond. The splash of the red futon and the black and white accents of the rug and pillows create a cozy space for watching TV. The railing’s glass panels and slim wood cap disappear into the upper wall of the living room. 

Cozy loft with clever shelving for a functional workspace.

I dearly envied having this fab workspace with its views of the water for breaks from drawing or writing! 

Dynamic sunlight patterns transform the living space.

The view from the loft work space overlooking the living room shows how deep the sunlight penetrates the room to create delightful patterns on the wall through the day. Who needs artwork when you have a daily kinetic play of light on the wall?

Evening illumination showcases the home’s transparent elegance.

One of Le Corbusier’s famous quotes was “ Space and light and order. Those are the things that men (and women) need just as much as they need bread or a place to sleep.”  This fab nocturnal shot highlights how well the talented Architect/Owner “thought inside the box” to create a simple yet elegant design through this remarkable house’s transparency, skillful space planning, white walls and ceilings to reflect the sunlight, carefully chosen color accents and stylish lighting fixtures throughout the house. 

Great design is not necessarily expensive-in the hands of a master architect and his clever use of materials and products from Home Depot and IKEA, he created  a truly unique and tranquil haven  without blowing his budget. Bravissimo!


For more information about this property, contact TTR Sotheby’s International Realty agent Joan Wetmore  at 410-673-3344 (o), 410-924-2432 (c) or [email protected]  or TTR Sotheby’s International Realty agent Melissa Tippett at 410-280-5600  (o), 410-241-7409 (c) or [email protected] For more photographs and pricing, visit redfin.com/MD/Fishing-Creek/2522-Hoopers-Island-Rd-21634/home/14735018, “Equal Housing Opportunity.”

Photography by Moses George Cohen, 202-688-8581, [email protected]

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Design with Jenn Martella

Chesapeake Lens: “Spring” By Nancy Taylor Lee

March 29, 2025 by Spy Desk Leave a Comment

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Spring strolls down Queen Street in Chestertown, Maryland.

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Filed Under: Archives, Chesapeake Lens

House of the Week: Sunnyside up

March 27, 2025 by Jennifer Martella Leave a Comment

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Stunning six-acre waterfront property set along the Tred Avon River.

The first neighborhood I discovered after I moved to the Eastern Shore was Travelers Rest. My sister’s in-laws’ property along the Tred Avon River was the scene of many family gatherings and they kindly included me. I soon appreciated how sought after the neighborhood was, due to its being set back far from highway 33/St. Michaels Rd. and its close proximity to both Easton and St. Michaels.  Since there were no through streets, it is perfect for walks or biking after family feasts! 

The six acre property contains the original early 19th century house with later addtions, a pool and two barns, one of which serves as a garage. The house is sited perpendicular to the inlet that leads to the Tred Avon River. 

Featured in “Where Land and Water Intertwine,” “Sunnyside” stands proudly in its vintage Eastern Shore vernacular style.

The wonderful reference book “Where Land and Water Intertwine” includes “Sunnyside” and this photograph in the book shows the one-room deep house  with the  slightly higher roof on the left room that breaks up the massing. The house’s story and a half architecture with a red brick chimney, dormer windows, historic green shutters and the white horizontal wood siding is a great example of  vintage Eastern Shore vernacular style. 

Updates to the charming early 19th century architecture seamlessly blend historic and modern with beautifully varied rooflines.

The house was expanded by a former owner who added a wing at the left side but the setback respects the original form of the house. The house was also updated to include a family-kitchen open plan at the other end of the house that faces the water.  The varying roof ridges break up the massing and creates a quite pleasing front elevation against its background of mature trees.

 

Respectful additions maintain the integrity of the original structure.

The side and rear elevations show how much the additions respected the original part of the house. The exterior door with steps to grade leads to the laundry room for clean up after a dip in the pool. The picnic table’s view of the water makes it a perfect warm weather spot for snacks or meals.

Sun-drenched pool area with natural privacy from surrounding trees.

The pool area is open to the sun and has privacy from the trees at the edge of the property. The bird bath is a mini swimming pool for the birds who live in the bird house on top of the post.

Tranquil pier with picturesque views of the shoreline.

I ended my tour of the grounds at the pier. Sitting on the bench, I  admired how the undulating shoreline of the adjacent properties framed the long view across the river from this tranquil spot.

Inviting foyer featuring original wood floors and hand-painted grasscloth wallpapering.

The front door opens into a large foyer with a recessed alcove that is enhanced by the warm wood tones of the original wood floors, the antique desk and the ornamental mirror. I especially admired the hand-painted grass cloth sourced by the Owner’s DC designer and the vista through the living room to the stairs.

Spacious living room bathed in sunlight through its wide, long windows

The large living room has three wide and long windows on each exterior that provide abundant sunlight. The diagonal pattern of the rug anchors the seating group and makes the spacious room seem even wider than it is. I have a pair of Bergere chairs in my living room and this room’s chairs in their striped pattern also add a touch of French flair. At the side of the room is one of two staircases to the second floor and the alcove with a gentle elliptical arch leads to the main floor primary suite. 

The living room’s layout drives focus to the lovely fireplace, which is which is surrounded by 19th-century furnishings.

The focal point of the living room is the fireplace that is surrounded by the room’s collection of 19th century furnishings and artwork. This photograph highlights the beautiful wood floors and how the complementary colors of light blue and pale yellow create a serene space for relaxation.

Elegant dining room, pairs rustic beams with a crystal chandelier for a lived-in luxury feel.

The stylish dining room is located in the original part of the house and its interior design makes it my fave room. I admired the golden walls and window treatments; the juxtaposition of the crystal chandelier with the hand-hewn beams; the patterned rug that is a twin to the living room’s rug, and the Chippendale table, chairs and sideboard that add timeless elegance. A secondary stair leads to the second floor.  

Functional pantry space with potential for conversion into a convenient powder room.

Off the dining room is a pantry/storage room with an exterior door. This space could be converted into a powder room with built-in cabinets for storage that would also be convenient for pool users. 

Panoramic views and historic green trim enhance the family-kitchen area.

Opposite the stairs in the dining room is the open plan family-kitchen area with  windows that wrap around the corner for panoramic views. The wall opening at the kitchen side has been fully extended to connect the two spaces. This is the hub of the house with the seating group around the TV and a workspace area. I admired the trim’s historic green color around the windows and on both the baseboard and the ceiling trim.

Well-coordinated kitchen and family room areas showcasing water views.

The diagonal vista from the corner of the kitchen, family room and workspace area shows how well the areas flow together.  The white cabinets become part of the wall and contrast with the wood floors. The window over the sink gives the cooks a view of the water and the high glass shelf in front of one muntin of the window doesn’t block the sunlight or view and is a display space. The high side table with its dark finish that is now an island separates the areas and the countertop could be replaced with a deeper one to accommodate bar stools. 

Having just an alcove for my stack W/D, I envied this sunny laundry/mud room with a bench for sitting down after gardening and taking off one’s wellies or hanging up one’s jackets on the pegs behind the door. Even the laundry has art-the clothes line with white clothing swaying in the breeze is a charming touch of whimsy. 

Serene primary bedroom with panoramic landscape views

I retraced my steps back to the living room so I could tour the primary suite that was added by the previous owner. The alcove off the living room leads to a short hall that ends at the spacious primary bedroom and the primary bath. The bedroom is located at the front corner of the house and three windows offer panoramic landscape views. The yellow and brown tones, the patterns of both the bedskirt and window treatments and the lovely antiques creates a soothing space for rest and relaxation. 

Spacious primary bath featuring vintage style and opportunities for dual lavatories.

The door to the primary bath opens to the side wall of a linen closet and the large room accommodates a tub/shower next to the toilet, a vintage style pedestal lavatory and a rattan settee. The pale wall color highlights the beautiful wood floors. If one wanted a dual lavatory, moving the closet door to face the hall door would leave space for a dual lavatory across the rear wall to the window.

The large second-floor bedroom is bright and inviting with its white walls and warm wood floors, a connecting suite adds flexibility.

The addition of the primary suite wing created two sets of stairs to the second floor. This huge bedroom located over the primary bedroom is connected to a smaller room, creating a suite for a sitting room or sleeping space for guests’ young children. The room’s high knee walls and sloped ceiling areas creates a soothing enclosure and the white walls and ceiling expands the room’s spatial volume.

Cozy office with abundant sunlight from dormer windows.

Next to the hall bath that serves both bedrooms is a small room currently furnished as an office. With the dormer windows on each exterior wall and the sloped ceiling that follows the underside of the roof rafters, sunlight reflected off these surfaces provides  sunlight through the day. I could easily imagine myself at the rolltop desk writing my Spy articles or spreading out architectural sketches on the drop leaf table.

Bedroom with striking red accent wall, water views, and skylight sits over the kitchen

The bedroom at the other end of the house is located over the kitchen-family area. The red accent wall highlights the room’s high knee walls and sloped ceiling  duplicated in the other bedroom. This bedroom’s side gable wall has double unit windows for water views and its bonus is the skylight for star gazing after bedtime.

Sought after location convenient to both St. Michaels and Easton; great example of the quintessential Colonial architecture of the Eastern Shore; waterfront property with six acres for peace and quiet; well-maintained house with updates that complement the house’s historic features; one-level living with a spacious primary suite and an open-plan family-kitchen with water views; pool and private pier for family fun outdoors; two staircases to the second floor large bedroom suites for additional privacy; pool and private pier for family fun outdoors-great property!  


For more information about this property, contact Gary Marquardt at Long and Foster Real Estate Company at 410-820-7707 (o), 410-725-6238 (c) or [email protected] , “Equal Housing Opportunity”.


Photography by Janelle Stroup, Through the Lense Photography, (410) 310-6838‬, [email protected]

“Where Land and Water Intertwine”, An Architectural History of Talbot County, Maryland, by Christopher Weeks, with contributions by Michael O. Bourne, John Frazier, Jr., Marsha L. Fritz and Geoffrey Henry; published by the Johns Hopkins University Press and the Maryland Historical Trust.

Contributor Jennifer Martella has pursued dual careers in architecture and real estate since she moved to the Eastern Shore in 2004. She has reestablished her architectural practice for residential and commercial projects and is a real estate agent for Meredith Fine Properties. She especially enjoys using her architectural expertise to help buyers envision how they could modify a potential property. Her Italian heritage led her to Piazza Italian Market, where she hosts wine tastings every Friday and Saturday afternoons.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Design with Jenn Martella

Cheasapeake Lens: “Bringing It Home'” By Paul Hanley, Jr.

March 22, 2025 by Spy Desk Leave a Comment

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A Waterman’s work isn’t done until he brings it all home.

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Filed Under: Chesapeake Lens

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The Kent Cultural Alliance announces 2025 Independent Artist Grants for Kent County Artists

The Kent Cultural Alliance (KCA) is pleased to announce the 2025 Independent Artist Grants program, which will provide $25,000 in funding to support artists living and creating in Kent County. This initiative will award 50 individual grants of $500 each as one-time financial support for artists working in a variety of disciplines. The application period will open on Saturday, February 1, 2025, at 10:00 AM and close on Sunday, March 2, 2025, at 11:59 PM. Eligible applicants must reside and actively create work in Kent County. These funds may be used for a range of artistic needs, including ... [Continue Story]

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  • House of the Week: Captivating Craftsman Bungalow
  • Design with Jenn Martella: The Dover, a Sears, Roebuck & Company Design
  • Design with Jenn Martella: The (second) empire strikes back
  • Design with Jenn Martella: Highfield
  • Design with Jenn Martella : Thinking inside the box
  • House of the Week: Sunnyside up

Weather Report with Cece Storm

The Spy Weather Report with Cecile Storm

The Spy Weather Report forecast and words for September 30 to October 1 “Our revels now are ended. These our actors, As I foretold you, were all ... [Continue Story]

  • The Spy Weather Report with Cecile Storm
  • The Spy Weather Report with Cecile Storm
  • The Spy Weather Report with Cecile Storm
  • The Spy Weather Report with Cecile Storm
  • The Spy Weather Report with Cecile Storm
  • The Spy Weather Report with Cecile Storm

Delmarva Review

Taking flight? Will Delmarva Review come in for a landing?

It’s hard to imagine the Delmarva Review ever having trouble finding writers eager to submit their work. However, in 2007, when the Eastern Shore ... [Continue Story]

  • Delmarva Review: The “Best of” Anthology
  • Delmarva Review: Leitmotif by Rita Plush
  • Delmarva Review: Arrogance by Katherine J. Williams
  • Delmarva Review: A System of Seeing by Colin Jeffrey Morris
  • Delmarva Review: The End of the Story by Patty Somlo
  • Delmarva Review: Something More Than Winter Weighs (Upon Me) by John Muro
  • Delmarva Review: Unknowable by Mary-Cecile Gee
  • Delmarva Review: Traumas by Andrew Payton
  • Delmarva Review: Dry Eye by Jean McDonough
  • Delmarva Review: Cadence by K. Alma Peterson

Chesapeake Lens

Chesapeake Lens: “The C&O Canal” By Lee Goodwin

The Chesapeake Bay watershed comes in all shapes and sizes. Meander down this portion of the canal ... [Continue Story]

  • Chesapeake Lens: “Stillness” By Sherri Baton
  • Chesapeake Lens: “To Go” By Jay Fleming
  • Chesapeake Lens: “Watchful” By Wesley Finneyfrock
  • Chesapeake Lens: “In Flight” By Wayne Zussman
  • Chesapeake Lens: “Spring” By Nancy Taylor Lee
  • Cheasapeake Lens: “Bringing It Home'” By Paul Hanley, Jr.

Arts Notes

Crafting a Legacy: A talk with Bob Ortiz

After three decades as one of Chestertown’s most beloved artisans, master wood craftsman Bob Ortiz is contemplating retirement and how to write his ... [Continue Story]

  • Bummer: Spy Nights with Meredith Davies Hadaway Postponed
  • More Than 40 Great Ways to Celebrate Maryland Makers at Maryland Crafted: Centreville
  • The Musical, The Bridges at Madison County at Church Hill Theatre from June 6-12
  • Auditions for Short Attention Span Theatre 2025 May 27, 29, 31
  • Chesapeake Film Festival’s New President Shares Her Excitement for Upcoming Season, Early-bird Tickets Now Available, Free Screenings Continue in May
  • The Market at Dover Station Blooms in May with Shopping, Exhibits and Events
  • Jazz Legend Don Vappie returns: A talk with Phil Dutton
  • Mid-Atlantic Symphony Orchestra Presents “Romantic Triumph & Celebration” and Season Finale Ensemble Concerts in May
  • Working Artists Forum Exhibit at The Market at Dover Station on May 2nd
  • Trad Jazz Banjo Legend Don Vappie at the Mainstay

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